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    Women and Femme Voices in Metal Music, Culture, and Scholarship: Feminist Strategies of Resistance

    Women and Femme Voices in Metal Music, Culture, and Scholarship by Shadrack, Jasmine Hazel; Stevens, Francesca;

    Feminist Strategies of Resistance

    Series: Ashgate Popular and Folk Music Series;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 155.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 982 Ft (66 650 Ft + 5% VAT)
      • Discount 20% (cc. 13 996 Ft off)
      • Discounted price 55 986 Ft (53 320 Ft + 5% VAT)
      • Discount is valid until: 30 June 2026

    62 984 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 24 April 2026

    • ISBN 9781032608938
    • Binding Hardback
    • No. of pages254 pages
    • Size 234x156 mm
    • Weight 630 g
    • Language English
    • Illustrations 14 Illustrations, black & white; 9 Halftones, black & white; 5 Line drawings, black & white
    • 690

    Categories

    Short description:

    This collection fosters an intersectional feminist position, adopting this lens to analyse the varying perspectives and experiences of women and femme metal musicians, fans, and scholars, addressing issues in metal music and scholarship such as misogyny, misogynoir, ableism, and heteronormativity from voices all around the globe.

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    Long description:

    Where are the women and femmes in metal music, culture, and scholarship? What are the modes of address and engagement when, as Laina Dawes stated, ?you love a music form that doesn?t love you back?? This interdisciplinary edited collection focuses on centring women and femme voices in metal music, culture, and scholarship, fostering an intersectional feminist position to analyse the varying perspectives and experiences. There has been a trend, which has also been acknowledged amongst feminist metal scholars, of sidelining and sometimes devaluing those voices that are so valid and important in a male-dominated music culture and scholarship. Contributors challenge and rectify this by: centring intersectional gendered identity; elevating women?s voices, and musical and other types of labour; and foregrounding trauma, herstory, and queering within metal music culture and scholarship. The audience for this edited collection is students and scholars of metal music studies, popular music studies, musicology, performance studies, gender, queer and decolonial studies, cultural studies, ethnography, feminism, trauma, and herstory. The metal music press and metalheads around the world will also be interested in this convocation.

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    Table of Contents:

    Foreword by Sarah Kitteringham, Foreword by Kat Shevil Gillham, Introduction by Jasmine Hazel Shadrack and Francesca Stevens. 


    Part 1: The White Boys Club: HIStories, Legacies, and Heritage includes Women's Rescription in Metal's Past, Present, and Future: (Re)writing Metal Canons and Histories by Francesca Stevens, Alien Sounds Versus Endemic Sounds: Women's Presence in Metal Bands by Hale Fulya

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