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  • The Routledge Companion to Caste and Cinema in India

    The Routledge Companion to Caste and Cinema in India by Abraham, Joshil K.; Misrahi-Barak, Judith;

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    Product details:

    • Edition number 1
    • Publisher Routledge India
    • Date of Publication 22 November 2022

    • ISBN 9781032160993
    • Binding Hardback
    • No. of pages440 pages
    • Size 246x174 mm
    • Weight 1260 g
    • Language English
    • Illustrations 16 Illustrations, black & white; 16 Halftones, black & white
    • 414

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    Short description:

    This companion is the first study of caste and its representation in Indian cinema. It unravels the multiple layers of caste that feature directly and indirectly in Indian movies, not only to examine the many ways caste pervades Indian society and culture but also how the struggle against it adopts multiple strategies.

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    Long description:

    This companion is the first study of caste and its representation in Indian cinema. It unravels the multiple layers of caste that feature directly and indirectly in Indian movies, to examine not only the many ways caste pervades Indian society and culture but also how the struggle against it adopts multiple strategies.


    The companion:



    • Critiques Indian cinema production through the lens of anti-caste discourse

    • Traces the history of films beginning from the early twentieth century, focusing on caste representations across India, including Hindi, Malayalam, Kannada, Marathi, Bengali, Punjabi, Tamil as well as silent films

    • Makes a foray into OTT media

    • Includes analysis of popular films such as Padmaavat, Masaan, Fandry, Sairat, Sujata, Article 15, Chomana Dudi, Lagaan, Court, Ee.Ma.Yau, Kaala, Pariyerum Perumal, Perariyathavar, among many others, to critique and problematise the idea of caste

    A major intervention, this book alters traditional approaches to ‘caste’ in Indian cinemas and society and explores new political strategies implemented through cinematic creation and aesthetics. It will be indispensable for scholars and researchers of film studies, social discrimination and exclusion studies, human rights, popular culture, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.

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    Table of Contents:

    List of figures


    List of contributors


    Acknowledgments


    Shifting the Gaze


    Introduction


    Joshil K. Abraham and Judith Misrahi-Barak


    From Spectatorship to Agency


    1.      Dalit Representation in Hindi Cinema


    Harish S. Wankhede


    2.      To Kill or To Allow to Live: Caste Necropolitics, Ozhivudivasathe Kali, and Malayalam Cinema


    Rajesh James, Binu K. D., & Aswin Prasanth


    3.      The Oppositional Bahujan Agency


    Jyoti Nisha


    4.      Magizhchi! ‘The Casteless Collective’ and the Sensorial Exscription


    Dickens Leonard and Manju Edachira


    Making the Invisible Visible


    5.      Historiography and Historiophoty in Anubhav Sinha’s Article 15


    Debjani Banerjee


    6.      Arakshan and Article 15: Is there any Transformation in the ‘Brahminical Gaze’?


    Runa Chakraborty Paunksnis


    7.      Visualising the Invisible: Decoding Caste Pride and the Casteist Slur in Bollywood Films


    Sumit Rajak


    The Bigger Picture


    8.      Over-the-top: Online Media, Chromatics, and the Transnational Travels of Caste


    Purnima Mankekar and Sucharita Kanjilal


    9.      Indian Cinema, Hunger, and Food: Family, Class, and Caste


    Swarnavel Eswaran


    Caste and Gender


    10.  Re-cast(e)ing the New Woman: Caste and Gender in Contemporary Indian Cinema


    Megha Anwer and Anupama Arora


    11.  The Construction and Representation of Lower Caste Women in Bollywood Films


    Farhana Naaz


    12.  P. K. Rosy and Devaki Bai: Cast(e)ing the Malayalam Silent Film Actresses


    Geetha


    13.  Examining the Domain of Caste, Gender, and Sexuality through Select Films of Jayan K. Cherian


    Ved Prakash


    Caste on Trial


    14.  Dalit Subjectivity, Democracy, and Radical Equality or, What Bollywood Could Learn from Ambedkar


    Chinmaya Lal Thakur


    15.  The Constitution of/and Caste: Portrayal of Caste and Legal Justice in Three Contemporary Indian Films by Savarna Filmmakers


    Rituparna Sengupta


    16.  Beyond Violence and Non-violence: A Study of Dalit Resistance and Accommodation in Cinematic Popular Justice


    Ram Kumar Thakur


    The Entanglements of Caste and Nature


    17.  The Caste of Nature: Wholesome Bodies and Parasites in Bimal Roy’s Sujata and Gogu Shyamala’s ‘A Beauteous Light’


    Nicole Thiara


    18.  The Pig, the Black Sparrow, and the Sheep: Human-Animal Entanglements in Fandry and Khwada


    Shalmali Jadhav


    19.  Landless, Homeless, and Nameless: Locating Caste in the Environmental In/Justice in Perariyathavar


    P. Rajitha Venugopal


    Not Two but Three States


    20.  Framing Local Legends and the Caste Matrix in the Tamil Cinema of the late 1980s


    Stalin Rajangam and P. Aadhavan


    21.  The Alienation of the Other: Examining Marginal Narratives in Select Punjabi Films 


    Amandeep Kaur & Sahil Sharma


    22.  Caste, Voyeurism and Kannada New Wave Cinema


    Mahima Raj C.


    From Closer Up


    23.  Exploring Caste on Screen and Beyond: A Study of Chomana Dudi


    Jaishree Kapur


    24.  Screening Caste: ‘Untouchable’ Body, Labour and Remuneration in Lagaan


    Purnachandra Naik


    25.  The Untouchable Rajputs of Padmaavat and Beyond: A Cas(t)e Study


    Tanya Singh


    26.  Masaan, a Tale of Forbidden Love


    Ravinder Singh Rana


    27.  Beyond Narratives of Modernity, Pain and Pathos: Dalit Aesthetic in Kabali and Kaala


    Reju George Mathew


    28.  ‘Ella Manusanum inga onnu illa’: Imag(in)ing the Claustrophobia of Caste in Pariyerum Perumal


    B. Geetha


    29.  Caste, Coast, and Christianity in Kerala: Analysing the Visual Representation of Latin Catholics in Ee.Ma.Yau.


    Grace Mariam Raju


    Filmography


    Select Bibliography


    Index

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