Restless Dead – Necrowriting and Disappropriation
Necrowriting and Disappropriation
Series: Critical Mexican Studies;
- Publisher's listprice GBP 80.00
-
38 220 Ft (36 400 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 3 822 Ft off)
- Discounted price 34 398 Ft (32 760 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
38 220 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher University of Chicago Press
- Date of Publication 25 March 2026
- Number of Volumes Hardback
- ISBN 9780826501226
- Binding Hardback
- No. of pages188 pages
- Size 228x152 mm
- Weight 415 g
- Language English 700
Categories
Short description:
Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays of this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process.
MoreLong description:
Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays of this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as center of analysis, Cristina Rivera Garza argues for the communality-a term used by anthropologist Floriberto D&&&205;az to describe modes of life of indigenous peoples of Oaxaca based on notions of collaborative labor-permeating all writing processes.
Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities in which it grew. In an increasingly violent world, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may as well become a life-affirming act of decolonization and resistance.
