The King's Artists
The Royal Academy of Arts and the Politics of British Culture 1760-1840
Series: Oxford Historical Monographs;
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Product details:
- Publisher OUP Oxford
- Date of Publication 5 May 2005
- ISBN 9780199279098
- Binding Paperback
- No. of pages392 pages
- Size 234x157x21 mm
- Weight 697 g
- Language English
- Illustrations numerous halftones 0
Categories
Short description:
This is the first scholarly history of Britain's dominant fine art institution from its foundation in 1768 to the beginning of the Victorian age. Holger Hoock places the Royal Academy of Arts in the contexts of the metropolitan, British, and European art worlds and explores its influence on the notion of a national school of art. The story of the Academy in these early years illuminates the complex relationships between art and politics, and allows Hoock to explore the concepts and practices of professionalization, cultural patriotism, and royal and state patronage of the arts in an age of war, revolution, and reform.
MoreLong description:
This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.
offers an energising alternative perspective on the shaping of the national culture and the wider role of the creative arts in public life at this period.
Table of Contents:
Introduction
Part I. Academies of Art
Institutional History
Promoting a National School
Modelling Academies for the British School
The Cosmopolitan Outlook of a National Academy
Part II. The Politicization of Art
George III and the Artists
French Revolutions in the Royal Academy?
The Spectacle of Exhibitions
Part III. Forging the Cultural State
Professional Representations
Monumental Miracles
Conclusion
Bibliography
Index
