The Crossing of the Visible
Series: Cultural Memory in the Present; 440;
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Product details:
- Edition number 1
- Publisher MK – Stanford University Press
- Date of Publication 18 December 2003
- Number of Volumes Print PDF
- ISBN 9780804733915
- Binding Hardback
- No. of pages120 pages
- Size 222x147x15 mm
- Weight 288 g
- Language English 0
Categories
Long description:
"
Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility—of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance—or what Marion describes as ""phenomenality"" in general.
In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting—from classical to contemporary—as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the ""nihilism"" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.
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