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  • The Cinema of Kinoshita Keisuke: Films of Joy and Sorrow

    The Cinema of Kinoshita Keisuke by Desser, David; Jackson, Earl;

    Films of Joy and Sorrow

    Series: Edinburgh Studies in East Asian Film;

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      • Publisher's listprice GBP 95.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        45 386 Ft (43 225 Ft + 5% VAT)
      • Discount 8% (cc. 3 631 Ft off)
      • Discounted price 41 755 Ft (39 767 Ft + 5% VAT)

    45 386 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Publisher Edinburgh University Press
    • Date of Publication 31 August 2025
    • Number of Volumes Print PDF

    • ISBN 9781399523349
    • Binding Hardback
    • No. of pages320 pages
    • Size 234x156 mm
    • Language English
    • Illustrations 52 black and white illustrations
    • 683

    Categories

    Short description:

    Situates the work of Kinoshita Keisuke both within Japanese cinema and contemporary world cinema

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    Long description:

    Kinoshita Keisuke was once thought of as the equal in importance and popularity to his colleague Ozu Yasujiro and friend Kurosawa Akira. In many ways, he was even more popular with audiences than they were, as well as being a critical favorite. He had built an overseas following with prestigious festival play and was considered an innovator for his use of color and widescreen. In addition, he was known for his cinematic depictions of the plight of women under rigid social restrictions along with his often-rebellious heroines who endured and sometimes triumphed. Yet he is much less known than his fellow filmmakers. Leading scholars from the US, Australia, the UK and Japan, relying on close analysis and numerous Japanese sources come together to redress this gap and demonstrate why Kinoshita deserves to be returned to the pantheon Japanese and world cinema.

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    Table of Contents:

    Introduction
    David Desser and Earl Jackson

    1. One Big Happy Family? The Social Relationships and Legacy of the Kinoshita-gumi
    Lauri Kitsnik

    2. Reading Between the Lines: Contrary Messages in the Wartime Films
    Earl Jackson

    3. Morals and Camera Movements: Kinoshita Keisuke According to Yoshida Yoshishige
    Daisuke Miyao

    4. Bold Kinoshita, Tender Kinoshita: Close-ups and Long Shots
    Linda C. Ehrlich

    5. Living Memory: History and Experience in She Was Like a Wild Chrysanthemum and The Snow Flurry
    Alexander Jacoby

    6. Farewell to Joy and Sorrow: Revisiting Kinoshita’s ‘Chaotic’ Period
    William Carroll

    7. The Lovelorn Plight of Ishizu Keizō: Music and Male Desire in Here’s to the Young Lady and The Tattered Wings
    Mina Ku

    8. Chronicles of Love and Hate
    Mats Karlsson

    9. The Celebration of Being Useless through Food: Portrayals of Older Women in Danger Stalks Near and The Ballad of Narayama
    Yutaka Kubo

    10. The Image Becomes You: Representation and ‘Self”-understanding
    Earl Jackson

    11. Demystifying Mother: Mother-Daughter Relationships in A Japanese Tragedy and The Scent of
    Incense
    Mika Ko

    12. More Times of Joy and Sorrow – the Self-sequel and Late Style
    David Desser

    13. Kinoshita’s Children: Memories of Kinoshita’s Films among Audiences of the Postwar Era
    Jennifer Coates

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