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  • Technique of Film and Video Editing: Theory and Practice

    Technique of Film and Video Editing by Dancyger, Ken;

    Theory and Practice

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      • Publisher's listprice EUR 34.95
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        14 495 Ft (13 805 Ft + 5% VAT)
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    14 495 Ft

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    Product details:

    • Edition number 2
    • Publisher Focal Press
    • Date of Publication 6 December 1996

    • ISBN 9780240802558
    • Binding Paperback
    • No. of pages380 pages
    • Size 228x152 mm
    • Weight 567 g
    • Language English
    • 0

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    Long description:

    The Technique of Film and Video Editing is the best training for directors-to-be, providing a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of and photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional and student editor. Practical skills are grounded by an exposition of the ideas and styles of editing, through which the director can understand the visual tools at his/her disposal. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice.
    The new material in the second edition emphasizes how new technology has influenced the art of editing. New topics include the MTV style, psychoanalytic ideas, and the appropriation of style over content. New filmmakers whose work is examined in this edition include Spike Lee, Julie Dash, Atom Egoyan, Quentin Tarantino, and Oliver Stone.




    Ken Dancyger is Chairman of the Undergraduate Department of Film and Television, New York University, one of the leading programs in Film/TV in the United States, and a past president of the University Film and Video Association. He has edited a number of his own productions for film and television and is a screenwriter of numerous documentaries and dramas for film and television.. Mr. Dancyger co-authored Alternative Scriptwriting: Writing Beyond the Rules, and Writing the Short Film, and authored Broadcast Writing: Dramas, Comedies, and Documentaries (all with Focal Press).


    In-depth analyses of dozens of films and videos, current and classic.
    Proven editing techniques for professionals and students .
    Highlights the history, theory, and aesthetics of film and video editing.

    "From D.W. Griffin to MTV, from silent movies to action films, Dancyger explores not only history, techniques, and the social aspects of film and video, but he also looks at how technology has affected film and video making and editing. This isn't a quick read but definitely worthwhile if you want to gain an understanding of what it takes to be an excellent director and editor." -Theano Nikitas, Camcorder & ComputerVideo

     

    Praise for previous editions:

    "Ken's additions to his book show all of us who love and study the craft of editing, a real understanding of the importance and stimulating impact editing has in helping tell a story, create mood, and shape characters." --Sam Pollard, film editor, Girl 6, Clockers, Mo Better Blues

    "Dancyger's book is an excellent introduction to the art of manipulating moving pictures and sound for students, amateurs, hobbiests and professionals alike." - Videomaker

    "...a thoroughly "reader friendly" introduction and survey of proven editing techniques and how those techniques influence the editing process..." - The Bookwatch, Sept. 2006"

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    Table of Contents:

    Acknowledgments* Introduction* History of Film Editing* The Silent Period* The Early Sound Film* The Influence of Documentary* The Influence of the Popular Arts* Editors Who Became Directors* Experiments in Editing: Alfred Hitchcock* New Technologies* International Advances* The Influence of Television and Theatre* New Challenges to Filmic Narrative Conventions* Editing for the Genre* Action* Dialogue* Comedy* Documentary* Imaginative Documentary* Ideas and Sound* Principles of Editing* The Picture Edit and Continuity* The Picture Edit and Pace* The Sound Edit and Clarity* The Sound Edit and Creative Sound* Conclusion* Appendix A: Cutting Room Procedures* Appendix B: Filmography* Glossary* Selected Bibliography* Index

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