Sultana’s Sisters by Qadeer, Haris; Arafath, P. K. Yasser;

Short description:

This book traces the genealogy of ‘women’s fiction’ in South Asia and looks at the interesting and fascinating world of fiction by Muslim women. It explores how Muslim women have contributed to the growth and development of genre fiction in South Asia, and brings into focus various diverse genres.

Long description:

This book traces the genealogy of ‘women’s fiction’ in South Asia and looks at the interesting and fascinating world of fiction by Muslim women. It explores how Muslim women have contributed to the growth and development of genre fiction in South Asia and brings into focus diverse genres, including speculative, horror, campus fiction, romance, graphic, dystopian amongst others, from the early 20th century to the present.

The book debunks myths about stereotypical representations of South Asian Muslim women and critically explores how they have located their sensibilities, body, religious/secular identities, emotions, and history, and have created a space of their own. It discusses works by authors such as Rokeya Sakhawat Hossain, Hijab Imtiaz Ali, Mrs. Abdul Qadir, Muhammadi Begum, Abbasi Begum, Khadija Mastur, Qurratulain Hyder, Wajida Tabbasum, Attia Hosain, Mumtaz Shah Nawaz, Selina Hossain, Shaheen Akhtar, Bilquis Sheikh, Gulshan Esther, Maha Khan Phillips, Zahida Zaidi, Bina Shah, Andaleeb Wajid, and Ayesha Tariq.

A volume full of remarkable discoveries for the field of genre fiction, both in South Asia and for the wider world, this book, in the Studies in Global Genre Fiction series, will be useful for scholars and researchers of English literary studies, South Asian literature, cultural studies, history, Islamic feminism, religious studies, gender and sexuality, sociology, translation studies, and comparative literatures.

"This rich collection of essays counters the enduring vision of South Asian Muslim women as mute, passive and docile by tracing their fiction from the ‘new women’ of the early twentieth century to today’s ‘future girls’. Rokeya Sakhawat Hossain’s utopian Sultana’s Dream (1905) provides a starting point from which to explore the contributions of Muslim female authors to fiction’s convoluted genealogy in South Asia through their participation in multiple and often overlapping genres. New and established international scholars take a fresh approach to a fascinating array of fictional works in Urdu, Bengali, and English by celebrated and less renowned authors. This exciting literary journey takes the reader from horror, romanticism, fantasy, erotica, and dystopia to partition fiction and graphic novels."

Siobhan Lambert-Hurley, Professor of Global History, University of Sheffield, UK.

"In bringing together a set of brilliant new studies of Muslim women writers in modern South Asia,　Sultana's Sisters　makes a　timely and important intervention in the literary history of the region.　Linking genre, gender, and the genealogy of forms, the essays cover both established and little-known authors, multiple languages, and a plurality of genres from utopian fable to romance, horror, historical realism, and speculative fantasy. The editor is to be congratulated on this fascinating and critically nuanced venture, filling a gap in current scholarship by revealing the imaginative and creative range of Muslim women's fiction."

Supriya Chaudhuri, Professor Emerita, Jadavpur University, India.

"An incisive and pioneering collection of critical essays, which traces the development, expansion and cross-fertilization of sub-continental Muslim women’s fiction, across different genres in the sub-continent from the early twentieth century to the present day. The informative introduction gives this further context with a discussion of Muslim women’s writing since Mughal times and also engages with the nineteenth century reformist literary movements in Urdu, including new women’s journals which gave Muslim women a public platform and a new voice. This is a truly remarkable collection which makes a major contributions to sub-continental women’s literature and illuminates it with new insights."

Muneeza Shamsie, Author of Hybrid Tapestries: The Development of Pakistani Literature in English.

"Sultana’s Sisters is one of the most significant publications on Muslim women’s writing in South Asia in perhaps a decade and will be critical reading for scholars from a range of fields. The book brilliantly opens out new approaches to the study of South Asian fiction while remaining alert to the multiple trajectories and complex subjectivities of the authors it studies. Moving quickly beyond the core canon of Muslim women’s literature, Sultana’s Sisters acquaints readers with　 authors from an impressive range of linguistic traditions and social backgrounds, thus introducing fresh nuance to key questions about what it meant to write and publish as a woman in Islamicate South Asia."

Daniel Majchrowicz, South Asian Literature and Culture, Northwestern University, USA.

Table of Contents:

Introduction

Section I

Genres and Early Fiction

1. Fruits of Freedom: Rokeya Sakhawat Hossain’s Writings as Genre

    Fiction                                                                             

     Barnita Bagchi

2. Locating Romance and Women Writers in Urdu Literature: Hijab Imtiaz Ali’s Genre  

    Fiction 
    Shweta Sachdeva Jha

3. “I’m nobody! Who are you?” Mrs. Abdul Qādir’s Horror Fiction and the Non-

      Authorial

     Jaideep Pandey

4. Gendering the Urdu Novel: Muhammadi Begum, Abbasi Begum, and the Women 

     Question   

     Mohammed Afzal

Section II

Genres and Modernity

5. Women Who Wielded Pens: Khadija Mastur

     Mehr Afshan Farooqi

6. “Studies in [ ] Dying Culture[s]”: Qurratulain Hyder and Urdu Fantasy Fiction in Self-translation

    Fatima Rizvi

7. “The Forbidden City”: An Exploration of Wajida Tabassum’s Fiction 

     Wafa Hamid

8. ‘1971 Novels’ in Bangladesh: Women’s Writing between the Popular and the Literary   

     Mosarrap Hossain Khan

9. Sunlight on a Broken Column and The Heart Divided as Autobiographically-Inspired

     Realist Texts: Navigating Gendered Socio-political Identities in Genre Fiction

    Mobeen Hussain

Section III

Postcolonial Genres

10. “Obedient daughters" and the Deployment of Graphic Stereotypes 

       Christel Devadawson

11 Contemporary Politics and Prehistoric Past through Popular Genres: Maha Khan

      Phillips’ Novels

    Mohammad Asim Siddiqui

12. Occupying Educational and Intellectual Space: Woman as Radical Flâneuse in Zahida Zaidi’s Campus Novel Inqilab Ka Ek Din

      Aysha Munira Rasheed

13. Making Sense of Conversion to Christianity in Twentieth-Century Pakistan: Two 

      Women’s Co-Authored Autobiographies as Crafted Accounts  

       Madeline Clements

14. Feminist Futures in the Speculative Fictions of Andaleeb Wajid and Bina Shah

     Umme Al-wazedi