- Publisher's listprice GBP 62.00
-
29 620 Ft (28 210 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 5 924 Ft off)
- Discounted price 23 696 Ft (22 568 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
29 620 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Cambridge University Press
- Date of Publication 10 May 2012
- ISBN 9781107021006
- Binding Hardback
- No. of pages328 pages
- Size 254x180x19 mm
- Weight 820 g
- Language English
- Illustrations 32 b/w illus. 4 tables 145 music examples 0
Categories
Short description:
A fresh look at Stravinsky's musical style, from a variety of analytical, critical and aesthetic angles.
MoreLong description:
Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music.
'There is a wealth of forensic detail about familiar van den Toornian topics like the octatonic scale or referential collection.' Anthony Gritten, Slavonic and East European Review
Table of Contents:
Introduction; 1. Meter and metrical displacement in Stravinsky; 2. The octatonic scale; 3. A brief survey; 4. Meter, motive, and alignment in Les Noces - Stravinsky's block and layered structures; 5. Melody and harmony in Les Noces; 6. Meter, text, and alignment in Renard (1916) - Stravinsky's 'rejoicing discovery'; 7. Allegro! Renard reconsidered; 8. Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov - another look at the symphonies of wind instruments (1920); 9. Issues of performance practice and aesthetic belief; 10. Stravinsky and his critics.
More
Philosophy, Technology, and the Environment
11 943 HUF
10 749 HUF
Privacy is Power: Why and How You Should Take Back Control of Your Data
7 161 HUF
6 087 HUF
