Songs, Scribes, and Society
The History and Reception of the Loire Valley Chansonniers
Series: The New Cultural History of Music Series;
- Publisher's listprice GBP 79.00
-
35 668 Ft (33 970 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 3 566 Ft off)
- Discounted price 32 102 Ft (30 573 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
35 668 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 27 January 2011
- ISBN 9780195381528
- Binding Hardback
- No. of pages312 pages
- Size 236x157x25 mm
- Weight 544 g
- Language English
- Illustrations 49 illustrations, 10 music examples, 8 tables 0
Categories
Short description:
Songs, Scribes, and Society explores the cultural and musical importance of five 15th-century Chansonniers - personalized, portable, and lavishly decorated songbooks - from the Loire Valley of France. Author Jane Alden treats the Chansonniers as physical artifacts to reveal their cultural context and its relationship to their commission, creation, and use.
MoreLong description:
A new kind of songbook emerged in the later fifteenth century: personalized, portable, and lavishly decorated. Five closely related chansonniers, copied in the Loire Valley region of central France c. 1465-c. 1475, are the earliest surviving examples of this new genre.
The Loire Valley Chansonniers preserve the music of such renowned composers as Guillaume Du Fay, Johannes Ockeghem, and Antoine Busnoys. But their importance as musical sources has overshadowed the significance of these manuscripts as artifacts in their own right.
This book places the physical objects at center, investigating the means by which they were produced and the broader culture in which they circulated. Jane Alden performs a codicological autopsy upon the manuscripts and reveals the hitherto unrecognized role of scribes in shaping the transmission and reception of the chanson repertory. Alden also challenges the long-held belief that the Loire Valley Chansonniers were intended for royal or noble patrons. Instead, she argues that a rising class of bureaucrats--notaries, secretaries, and other court officials--commissioned these exquisite objects. Active as writers and participants in poetry competitions, these individuals may even have written some of the chansons' texts.
The unique integration of image, text, and music found in chansonniers extends their appeal to a broad readership. But for the nineteenth-century scholars who rediscovered these manuscripts, the larger literary and visual resonances were not of primary interest. Alden documents the tangle of motivations--national identity, populist politics, and the rise of the musical masterwork--that informed the earliest writings on these books. Only now is their multifaceted structure the inspiration for a new generation of readers.
the definitive guide to the Loire Valley chansonniers, it also reaches out in numerous directions to enrich our knowledge and appreciation of 15th-century musical and bibliophile life.
Table of Contents:
List of Illustrations
List of Tables
List of Musical Examples
Source abbreviations and manuscript sigla
A Note on the Companion Website
Introduction
1. Discovering Chansonniers
2. The Material Objects
3. Chronology and Dating Revisited
4. The Makers of the Loire Valley Chansonniers
5. Owners, Readers, and Bookish Culture
Envoi
Bibliography