Socialist Senses – Film, Feeling, and the Soviet Subject, 1917–1940
Film, Feeling, and the Soviet Subject, 1917–1940
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30 576 Ft
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Product details:
- Publisher MH – Indiana University Press
- Date of Publication 11 September 2017
- Number of Volumes Print PDF
- ISBN 9780253026330
- Binding Hardback
- No. of pages418 pages
- Size 235x160x28 mm
- Weight 702 g
- Language English
- Illustrations 7 color illus., 50 b&w illus. Halftones, color 0
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Long description:
This major reimagining of the history of Soviet film and its cultural impact explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a 'sensory revolution' to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution: film could both discover the world anew, and model a way of inhabiting it. Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.
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