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Product details:
- Edition number 1st ed. 2022
- Publisher Palgrave Macmillan
- Date of Publication 8 July 2022
- Number of Volumes 1 pieces, Book
- ISBN 9783030929923
- Binding Hardback
- No. of pages288 pages
- Size 210x148 mm
- Weight 524 g
- Language English
- Illustrations XV, 288 p. Illustrations, color 419
Categories
Short description:
Shakespeare?s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries.
MoreLong description:
Shakespeare?s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries.
MoreTable of Contents:
Chapter 1. Sinophone Shakespeares: A Critical Introduction, Alexa Alice Joubin.- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan.- Chapter 2. Hamlet as Political Theatre in Beijing: ????by Lin Zhaohua ??? (1990), translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep.- Chapter 3. Hamlet as Parody in Taipei: Shamlet ???? (Hamlet) by Lee Kuo-hsiu ??? (1992 / 2008), translated by Christopher Rea and introduced by Alexa Alice Joubin.- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre.- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands ??? by Huang Zuolin ??? (1987 / 2008), translated by Siyuan Liu and introduced by Alexa Alice Joubin.- Chapter 5. A Feminist Macbeth in Tainan: The Witches? Sonata ???????????by Lü Po-shen???(2007), translated and introduced by Yilin Chen.- Part 3. Self-Identities in Traditional and Experimental Jingju Opera.- Chapter 6. A Confucian King Lear in Shanghai: King Qi?s Dream ??? (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin.- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here????by Wu Hsing-kuo ???, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin.- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986
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Sinophone Adaptations of Shakespeare: An Anthology, 1987-2007
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