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Product details:
- Edition number 1998
- Publisher Springer, Berlin
- Date of Publication 1 January 1998
- Number of Volumes Paperback
- ISBN 9780333720172
- Binding Paperback
- No. of pages206 pages
- Size 12x140x216 mm
- Weight 288 g
- Language English 0
Categories
Long description:
This collection of contemporary criticism highlights the extent to which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism, feminism, psychoanalysis and post-structuralism, generating a radical reappraisal of a Shakespearean cinema which has itself experienced a revival in the last decade. Ranging widely across the canon of Shakespeare films, from Max Reinhardt's A Midsummer Night's Dream to Peter Greenaway's Prospero's Books, the essays address the cultural politics of film adaptation from a variety of angles, offering readings of individual films - Hamlet, Henry V, The Tempest - but also raising larger questions about the nature, purpose and future direction of Shakespearean cinema.
MoreTable of Contents:
Acknowledgements.- General Editor's Preface.- Introduction; R.Shaughnessy.- Realising Shakespeare on Film; J.J.Jorgens.- Laurence Olivier's Henry V; A.Davies.- Shakespeare and Film: A Question of Perspective; C.Belsey.- Radical Potentiality and Institutional Closure; G.Holderness.- Symbolism in Shakespeare Film; J.Collick.- Olivier, Hamlet and Freud; P.S.Donaldson.- Branagh and the Prince, or a 'royal fellowship of death'; C.Breight.- A Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II; C.MacCabe.- Katherina Bound; or Play(K)ating the Strictures of Everyday Life; B.Hodgdon.- Drowning the Book: Prospero's Books and the Textual Shakespeare; D.Lanier.- Further Reading.- Notes on Contributors.- Index.
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