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    Shakespeare in the Theatre: Peter Hall

    Shakespeare in the Theatre: Peter Hall by Hampton-Reeves, Stuart;

    Series: Shakespeare in the Theatre;

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      • Publisher's listprice GBP 22.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        11 635 Ft (11 081 Ft + 5% VAT)
      • Discount 20% (cc. 2 327 Ft off)
      • Discounted price 9 308 Ft (8 865 Ft + 5% VAT)

    11 635 Ft

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    printed on demand

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher The Arden Shakespeare
    • Date of Publication 20 May 2021
    • Number of Volumes Paperback

    • ISBN 9781472587084
    • Binding Paperback
    • No. of pages224 pages
    • Size 198x129 mm
    • Weight 222 g
    • Language English
    • Illustrations 6 bw illus
    • 205

    Categories

    Long description:

    Peter Hall is one of the most significant and influential directors of Shakespeare's work of modern times. Through both his own work and the management of two national theatre companies, the National Theatre and the RSC, Hall has promoted Shakespeare as a writer who can comment incisively on the modern world. His best productions exemplified this approach: Coriolanus (1959), The Wars of the Roses (1963) and Hamlet (1965) established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. However, Hall's career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Hall's work as a deliberate articulation of Shakespeare and national culture in the post-war years. The main focus is on his Shakespeare work, but critical attention is also given to non-Shakespearean productions, notably his 1955 Waiting for Godot (and his relationship with Samuel Beckett in general) and his 2000 Tantalus (and his work with John Barton), placing Hall's work in its cultural and creative context. Setting Hall's work against the post-war development of national culture, the book explores how his work with other writers and artists (including Beckett, Pinter and Barton) informed his approach to directing as well as his rehearsal methods and his approach to Shakespeare's text.

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    Table of Contents:

    Series Preface;
    Chapter One: Peter Hall and Shakespeare;
    Chapter Two: Early Work;
    Chapter Three: The Shakespeare Memorial Theatre;
    Chapter Four: The Royal Shakespeare Company;
    Chapter Five: The National Theatre;
    Chapter Six: The Peter Hall Company;
    Notes;
    Bibliography;
    Index

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