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  • Seeing Witness: Visuality and the Ethics of Testimony

    Seeing Witness by Blocker, Jane;

    Visuality and the Ethics of Testimony

      • GET 10% OFF

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      • Publisher's listprice GBP 60.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        28 665 Ft (27 300 Ft + 5% VAT)
      • Discount 10% (cc. 2 867 Ft off)
      • Discounted price 25 799 Ft (24 570 Ft + 5% VAT)

    28 665 Ft

    Availability

    Out of print

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Univ Of Minnesota Press
    • Date of Publication 5 February 2009

    • ISBN 9780816654765
    • Binding Hardback
    • See also 9780816654772
    • No. of pages192 pages
    • Size 254x178 mm
    • Weight 666 g
    • Language English
    • 0

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    Long description:

    Unearthing the meaning of witnessing in contemporary art and politics

    The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness—whether artist, historian, scientist, government official, or ordinary citizen—has become empowered in realms from art to politics.

    In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique. Considering such artists as Marina Abramović, James Luna, Felix Gonzalez-Torres, Eduardo Kac, and Ann Hamilton, Blocker investigates the artists and spectators who look, the technologies they look with, and the forms of power and moral authority that permit their viewing.

    Going beyond particular traumatic or sensational events, Blocker contemplates the politics of witnessing and argues that the witness represents a morally unique—and even problematic—position of privilege. Separating Seeing Witness from previous literature on the subject, she finds that the visual is inherent in witnessing and asserts that contemporary art is integral to questioning and understanding how witnessing is mobilized in culture today.

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