Roman Sculpture from the North West Midlands
Cheshire, Shropshire and Staffordshire
Series: Corpus Signorum Imperii Romani; 9;
- Publisher's listprice GBP 70.00
-
31 605 Ft (30 100 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
31 605 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Product details:
- Publisher The British Academy
- Date of Publication 12 August 2004
- ISBN 9780197262900
- Binding Hardback
- No. of pages147 pages
- Size 284x221x7 mm
- Weight 760 g
- Language English
- Illustrations 9 line drawings and numerous halftones 0
Categories
Short description:
This is the first comprehensive catalogue of the sculpture from this region of Roman Britain. The sculptures were carved locally, and provide an index of Romanisation in the far north-west of the Roman Empire - in particular at Devra (Chester), Viroconium (Wroxeter), and at Letcetum (Wall, Staffs). The works range in quality from highly accomplished and decorative altars and tombstones, to rather ham-fisted efforts which hint that it was not always possible to attract sculptors to these relatively remote places. Such factors are discussed in an extended introduction.
MoreLong description:
This is the first comprehensive catalogue of the sculpture from this region of Roman Britain, including the first proper record of the sculpture from Wroxeter.
The sculptures, all in local sandstone, were carved locally and provide an index of Romanisation in the far north-west of the Roman Empire - at the Fortress of Legio II Adivtrix and then Legio XX Valeria Victrix at Devra (Chester), and at the Fortress and subsequently the civil town of the Cornovii at Viroconium (Wroxeter). The sculpture from Letcetum (Wall, Staffs) is also considered.
The works range in quality from highly accomplished and decorative altars and tombstones, to rather ham-fisted efforts which hint that it was not always possible to attract sculptors to these relatively remote places. Such factors are discussed in an extended introduction.
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