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  • Researching Popular Entertainment
      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 39.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        19 105 Ft (18 195 Ft + 5% VAT)
      • Discount 20% (cc. 3 821 Ft off)
      • Discounted price 15 284 Ft (14 556 Ft + 5% VAT)

    19 105 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

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    Short description:

    Researching Popular Entertainment is an essential volume for scholars delving into the vibrant yet complex world of popular entertainment. Written by a global network of experts, this book addresses the unique challenges researchers face in this field.

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    Long description:

    Researching Popular Entertainment is an essential volume for scholars delving into the vibrant yet complex world of popular entertainment.


    Written by a global network of experts, this book addresses the unique challenges researchers face in this field. The often-dismissed status of popular entertainment, coupled with its reliance on physicality and improvisation over scripted performances, has meant archival and textual sources tend to be more limited than in related theatre and performance disciplines. This scarcity requires historians to find alternative pathways through the available materials to recuperate seemingly insignificant figures and performance forms from our cultural past. This book provides a candid look into the research processes of its authors, highlighting some of the approaches they have adopted to overcome these challenges. It emphasises that reading performance as entertainment is a deliberate methodological choice. Regardless of whether a work is deemed high or low art, legitimate or illegitimate, understanding how it captivates its audience is central to the study of entertainment.


    Readers will benefit from its in-depth analysis and practical guidance, making it an indispensable resource for anyone studying popular entertainment.

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    Table of Contents:

    List of figures


    Acknowledgements


    Notes on contributors


     


    1.      Introduction: entertainment as method


    Kim Baston and Jason Price


     


     


    I. ARCHIVES


     


    2.      Alternative archives in popular entertainment research: the Chinese Exclusion Act Case Files


    Maria De Simone


     


    3.      Like finding a needle in a haystack: child actors and the archive


    Gillian Arrighi


     


    4.      Don Juan in Montreal: investigating music in eighteenth-century pantomime


    Kim Baston


     


    5.      Carry on curating: comedy at the V&A


    Simon Sladen


     


     


    II. TEXTS


     


    6.      In search of lost performances: the challenges of reconstructing a nineteenth-century Karagöz play


    Nazli M. Ümit


     


    7.      Postcards and popular entertainment studies: resources and methods


    Penny Farfan


     


    8.      Seductive texts: the uses of art as historical evidence


    Jason Price


     


    9.      Reading meaning in a contested landscape: the challenges of investigating Australian bushranger re-enactments


    Janys Hayes


     


     


    III. BODIES


     


    10.  Seeking the ghost Clari: creative practice and virtual reality as a method for the revival of nineteenth-century performances in colonial Australia


    Jane Woollard


     


    11.  Finding Likay through practice: a research-practitioner’s reflection on specialising in the Thai popular form


    Sukanya Sompiboon


     


    12.  Pierrots on the Prom: re-enactment, revival and in-heritage transfer in seaside performance


    Tony Lidington


     


    13.  Funny then and now? Re-enacting World War II soldier sketch comedy


    Tara Demmy


     


    14.  Placing yourself in performance research: a phenomenological approach to investigating stand-up comedy


    Yingnan Chu


     


    15.  Lip-synching for (some) life: researching queer/camp bodies through practice-based methods


    Simon Dodi


     


    Index


     

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