Rereading Chenjerai Hove
Rupture and Suture in Zimbabwean Literature
Series: Routledge Studies in African Literature;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 8 April 2026
- ISBN 9781041239918
- Binding Hardback
- No. of pages204 pages
- Size 234x156 mm
- Weight 540 g
- Language English
- Illustrations 2 Tables, black & white 694
Categories
Short description:
This book assesses the life and works of leading Zimbabwean poet and novelist, Chenjerai Hove. Proposing a reading of Hove’s work through the dual concepts of rupture and suture, this book investigates Hove’s position as a writer in exile.
MoreLong description:
This book assesses the life and works of the leading Zimbabwean poet and novelist, Chenjerai Hove. Proposing a reading of Hove’s work through the dual concepts of rupture and suture, this book investigates Hove’s position as a writer at home and in exile.
Described affectionately as ‘Change’ by his contemporaries, Hove’s longing and desire for a free Zimbabwe runs through his works both in his first language, ChiShona, and in his second language, English. Whilst nationalist struggles promised a sense of suture from the wounds of colonialism, in the postcolonial period a new political elite introduced new ruptures, looting resources and flouting the rule of law. Hove’s narratives of decolonisation, globalisation and indigenous becoming in his works point to these unfinished historical processes of rupture and suture, bringing in contrasting themes of beauty and ugliness, democracy and despotism, development and anarchy, independence and corruption. In deploying a framework of rupture and suture to Hove’s work, this book disrupts fundamentalist frameworks suggesting a return to a pristine precolonial past and argues instead that the process of decolonising is relational and reflexive. Providing an important original analysis of Hove’s work, this book also brings in comparisons with other writers in exile, arguing that displaced citizenship allows African writers to trouble the disjuncture/s in the nationalist and postcolonial project.
As such, this book will be an important read not only for researchers of Zimbabwean literature but also for scholars working on African and diasporic literature more widely.
MoreTable of Contents:
1. Setting and unsettling the cultural context 2. Continuities and disruptions in Chenjerai Hove’s poetry 3. Culture, nation and critique in Chenjerai Hove’s essays 4. Imagining and re-inventing the nation through the novel and auto/biography 5. Futuring a southern episteme; Curating struggle and memory 6. Connecting narrative/s as voicing cultural and epistemic freedoms
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