Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century
Fugitive Pieces
- Publisher's listprice GBP 100.00
-
45 150 Ft (43 000 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 9 030 Ft off)
- Discounted price 36 120 Ft (34 400 Ft + 5% VAT)
- Discount is valid until: 30 June 2026
Subcribe now and take benefit of a favourable price.
Subscribe
45 150 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP Oxford
- Date of Publication 28 May 2020
- ISBN 9780198852605
- Binding Hardback
- No. of pages332 pages
- Size 239x164x22 mm
- Weight 664 g
- Language English
- Illustrations 18 Illustrations 0
Categories
Short description:
Exploring works by Djuna Barnes, David Jones, F.T. Prince, Denise Riley, Paul Muldoon, and Ted Hughes, this volume traces the relationship between twentieth-century poetry and art to question the role of art in society.
MoreLong description:
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena.
The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
This is a sophisticated corrective to the New Criticism approach ... Though the book bristles with the buzzwords of contemporary critical theory, when the focus is on specific poetic texts a simple clarity comes forth ... For specialists in critical theory.
Table of Contents:
Introduction
PART ONE
Lunatic Forms: Djuna Barnes' Stone Guests
Built Words: David Jones, Art and Architecture
Moving Statues: F.T. Prince, Legacy and Michelangelo
PART TWO
Collaboration: Canonical Hybridity, Ted Hughes, and Leonard Baskin
Reverberation: Denise Riley, Ethics and Embodiment
Ventriloquism: Paul Muldoon's Feast of Forms
Afterword
