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Product details:
- Publisher OUP Oxford
- Date of Publication 13 June 2002
- ISBN 9780199252503
- Binding Hardback
- No. of pages312 pages
- Size 223x145x22 mm
- Weight 547 g
- Language English
- Illustrations 6 halftones 0
Categories
Short description:
New Medieval Literatures 5 features innovative articles from leading senior scholars. Subjects include the cultural significance of Virgil's Aeneid during the English Peasants' Revolt, images of the pagan past in fourteenth-century London, medieval stage accidents and modern corollaries, and a survey of recent research on medieval women's literacy. Other essays offer original studies of martyrdom and the aesthetics of pain, sainthood and power, and virginity and erotic desire.
MoreLong description:
New Medieval Literatures is an annual of work on medieval textual cultures. It provides a venue for innovative research representing the diverse methodologies of medieval studies - theoretical, archival, philological, and historicist.
Volume 5 is marked by a preoccupation with origins or beginnings: the return to some of the foundational texts of the 'modern', here Marx, Freud, and classical Marxist literary criticism; or how the Middle Ages thematized its own antecedents, in the founding myth of imperial Rome, the originary force of martyrdom, and the reformist foundations of monasticism.
This volume features important new work from distinguished scholars. Christopher Baswell and D. Vance Smith both write about resurrecting the pagan past in the modern urban spaces of fourteenth-century England: Baswell's magisterial archival essay considers the political role of Virgil's Aeneid in the Uprising of 1381, and Smith uses the urban narrative of St Erkenwald as a departure for a profound meditation on death and melancholy. Jody Enders dramatically contrasts the intentionality implicit in two fatal accidents that were also theatrical spectacles, one in medieval Paris and one in modern Los Angeles. And Jocelyn Wogan-Browne's magnificant analytical survey of recent research on female reading communities takes a critical new look at the way in which we deploy the foundational concept of 'community' in histories of medieval reading and literacy. Essays by four leading younger scholars complete this volume with complementary yet highly distinctive perspectives on martyrdom, sainthood, and virginity. Robert Mills considers how the visualization of martyrs' suffering in words and image can be a signifier of erotic pleasure; Sarah Salih evaluates the particular eroticism of the sponsalia Christi; Catherine Sanok reads Pearl through the lens of hagiography and Marxist genre theory; and Nancy Warren's new research on Colette of Corbie looks at the reformist power of female monasticism in the Hundred Years War.
Table of Contents:
List of illustrations
Introduction: Remembering after Postmodernism
Aeneas in 1381
Crypt and Decryption: Erkenwald Terminable and Interminable
Medieval Death, Modern Morality, and the Fallacies of Intention
A Man is Being Beaten
Queering Sponsalia Christi: Virginity, Gender, and Desire in the Early Middle English Anchoritic Texts
The Geography of Genre in the Physician's Tale and Pearl
Monastic Politics: St Colette of Corbie, Franciscan Reform, and the House of Burgundy
Analytical Survey 5: 'Reading is Good Prayer': Recent Research on Female Reading Communities
Index
