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  • Neu Sehen / New Ways Of Seeing: Die Fotografie der 20er und 30er Jahre

    Neu Sehen / New Ways Of Seeing by Bove, Jens; Brückle, Wolfgang; Fiedler, Jeannine; Lemke, Kristina;

    Die Fotografie der 20er und 30er Jahre

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      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice EUR 49.90
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 696 Ft (19 710 Ft + 5% VAT)
      • Discount 5% (cc. 1 035 Ft off)
      • Discounted price 19 661 Ft (18 725 Ft + 5% VAT)

    20 696 Ft

    Availability

    Out of print

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Kerber Verlag
    • Date of Publication 17 July 2021

    • ISBN 9783735607454
    • Binding Paperback
    • No. of pages256 pages
    • Size 20x230x280 mm
    • Weight 1100 g
    • Language
    • Illustrations 153 Abb.
    • 0

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    Long description:

    Unusual perspectives, contrasts, and angles as the means to express changing living conditions: In the 1920s many new fields of activity opened up for photographers, who provided pictures for everything from magazines and books to advertising design. Yet it was not only its economic function that smoothed the way for photography. As a seemingly authentic reproduction of reality, political movements recognized that photography was a good means of persuading and controlling the masses. In contrast to the defamation of modernism in the fine arts, no creative limitations were imposed upon photography-this new pictorial language was already firmly established in the general visual memory, and all throughout the Nazi era it remained linked to progressiveness.
    Between 1918 and 1939, photography influenced the art world more than it had during hardly any other period. Keeping in mind the ongoing intensive debate about continuities and the different stylistic tendencies going in multiple creative directions during the 1920s and '30s, this catalogue offers insight into the complexity of the era's events. Eight thematic chapters introduce central aspects of art's exploration of photography and the entire spectrum of motifs involved in employing it in various contexts.

    Artists:
    Carl Albiker, Gertrud Arndt, Atelier Manassé, Ilse Bing, Karl Blossfeldt, Katt Both, Margaret Bourke-White, Walter Dexel, Max Ehlert, Hugo Erfurth, Alfred Erhardt, T. Lux Feininger, Hans Finsler, Max Göllner, Hein Gorny, Karl Theodor Gremmler, Heinz Hajek-Halke, Elisabeth Hase, Walter Hege, Heinrich Hoffmann, Lotte Jacobi, Paul W. John, André Kertész, Fred Koch, Stefan Kruckenhauser, Karl Krüger, Adolf Lazi, Erna Lendvai-Dircksen, Helmar Lerski, Madame d'Ora (Dora Kallmus), Felix H. Man, Werner Mantz, Lucia Moholy, Martin Munkacsi, Max Peiffer Watenphul, Georgij Petrussow, Albert Renger-Patzsch, Hans Retzlaff, Leni Riefenstahl, Hans Robertson, Alexander Rodchenko, Werner Rohde, Lothar Rübelt, Willi Ruge, Erich Salomon, August Sander, Arkadi Schaichet, Max Schirner, Hugo Schmölz, Fritz Schreiber, Herbert Schürmann, Friedrich Seidenstücker, Anton Stankowski, Sasha und Cami Stone, Paul Strache, Carl Strüwe, Umbo (Otto Umbehr), Hans Volger, Kurt Warnekross, Paul Wolff, Yva (Else Ernestine Neuländer-Simon), Hannelore Ziegler, Willi Zielke.

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