Musical Concerns
Essays in Philosophy of Music
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Product details:
- Publisher OUP Oxford
- Date of Publication 2 April 2015
- ISBN 9780199669660
- Binding Hardback
- No. of pages192 pages
- Size 220x148x18 mm
- Weight 362 g
- Language English 0
Categories
Short description:
This volume presents a new collection of essays on music by Jerrold Levinson, one of the most prominent philosophers of art today. The essays are wide-ranging and represent some of the most stimulating work being done within analytic aesthetics. Three of the essays are previously unpublished, and four of them focus on music in the jazz tradition.
MoreLong description:
This volume presents a new collection of essays, all of them dealing with music, by Jerrold Levinson, one of the most prominent philosophers of art today. It follows in the line of Levinson's earlier collections, Music, Art, and Metaphysics (1990), The Pleasures of Aesthetics (1996), and Contemplating Art (2006), and is representative of the most stimulating work being done under the rubric of analytic aesthetics. The essays, which are wide-ranging, should appeal to aestheticians, philosophers, musicologists, music theorists, music critics and music lovers of all kinds. Three of the twelve essays comprising the volume have not previously been published, and in somewhat of a departure for Levinson, four of the essays focus on music in the jazz tradition.
Perhaps the most important attribute of this book to observe is that Levinson is an impressively clear writer. He has a strong preference for a plain-speaking style; and, when he ventures into obscure areas, he tends to be excellent at shining just the right amount of light to allow the reader to negotiate the unfamiliarity. Equally important is that Musical Concerns can be read without having to draw upon the earlier volumes as sources of prerequisite knowledge. Each of the twelve essays in this book is firmly situated in the present, and references to past work are always given due background explanation.
Table of Contents:
Acknowledgments
Introduction
Philosophy and Music
The Aesthetic Appreciation of Music
Concatenationism, Architectonicism, and the Appreciation of Music
Indication, Abstraction, and Individuation
Musical Beauty
Values of Music
Shame in General and Shame in Music
Jazz Vocal Interpretation: A Philosophical Analysis
Popular Song as Moral Microcosm: Life Lessons from Jazz Standards
The Expressive Specificity of Jazz
Instrumentation and Improvisation
What Is a Temporal Art?
Index
