Music in Chopin's Warsaw
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Product details:
- Publisher OUP USA
- Date of Publication 12 December 2013
- ISBN 9780199357246
- Binding Paperback
- No. of pages340 pages
- Size 234x156x19 mm
- Weight 522 g
- Language English
- Illustrations 35 music examples, 59 halftones 0
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Short description:
Music in Chopin's Warsaw examines the rich musical environment of Fryderyk Chopin's youth and places Chopin's early works in this context. Halina Goldberg provides a historiographic perspective that allows a new and better understanding of Poland's cultural and musical circumstances, as well as Chopin's early years as a student and young composer.
MoreLong description:
Music in Chopin's Warsaw examines the rich musical environment of Fryderyk Chopin's youth--largely unknown to the English-speaking world--and places Chopin's early works in this context. Halina Goldberg provides a historiographic perspective that allows a new and better understanding of Poland's cultural and musical circumstances. Chopin's Warsaw emerges as a vibrant European city that was home to an opera house, various smaller theaters, one of the earliest modern conservatories in Europe, several societies which organized concerts, musically active churches, spirited salon life, music publishers and bookstores, instrument builders, and (for a short time) a weekly paper devoted to music.
Warsaw was aware of and in tune with the most recent European styles and fashions in music, but it was also the cradle of a vernacular musical language that was initiated by the generation of Polish composers before Chopin and which found its full realization in his work. Significantly, this period of cultural revival in the Polish capital coincided with the duration of Chopin's stay there--from his infancy in 1810 to his final departure from his homeland in 1830. An uncanny convergence of political, economic, social, and cultural circumstances generated the dynamic musical, artistic, and intellectual environment that nurtured the developing genius. Had Chopin been born a decade earlier or a decade later, Goldberg argues, the capital--devastated by warfare and stripped of all cultural institutions--could not have provided support for his talent. The young composer would have been compelled to seek musical education abroad and thus would have been deprived of the specifically Polish experience so central to his musical style.
A rigorously-researched and fascinating look at the Warsaw in which Chopin grew up, this book will appeal to students and scholars of nineteenth-century music, as well as music lovers and performers.
This seminal contribution to the Chopin literature by a native of Poland presents richly informative new material and contexts relating to the young composer's environment, some from previously unexamined sources and much unavailable to non-Polish readers. Goldberg explores the many ways in which the vibrant intellectual and musical life of Warsaw influenced Chopin and his music. Prominent among these were the charged political climate, the several types of pianos available to him, and--in addition to his formal musical training--the educational role of the wide range of music he heard in the theater, in concerts, and particularly in connoisseur's salons, which ranged from that of Haydn, Mozart, and Beethoven (including the "Archduke" Trio) to that of Spohr, Hummel, Dussek, and others. Enjoyment and understanding of Chopin's oeuvre will be greatly enriched by this fascinating volume.
Table of Contents:
Introduction
Chapter 1. Historical and Cultural Background
Chapter 2. Instrument Production
Chapter 3. Music Publishing
Chapter 4. Musical Education
Chapter 5. Salons: Background and Intellectual Trends
Chapter 6. Music in Salons
Chapter 7. Musical Theater
Chapter 8. Concert Life
Select Bibliography
Index of Names
General Index
