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  • Museum Exhibitions and Suspense: The Use of Screenwriting Techniques in Curatorial Practice

    Museum Exhibitions and Suspense by Karbe, Ariane;

    The Use of Screenwriting Techniques in Curatorial Practice

    Series: Routledge Research in Museum Studies;

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      • Publisher's listprice GBP 39.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        19 105 Ft (18 195 Ft + 5% VAT)
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    19 105 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 27 May 2024

    • ISBN 9780367722289
    • Binding Paperback
    • No. of pages190 pages
    • Size 234x156 mm
    • Weight 453 g
    • Language English
    • Illustrations 38 Illustrations, black & white; 38 Halftones, black & white; 2 Tables, black & white
    • 565

    Categories

    Short description:

    Museum Exhibitions and Suspense takes insights from screenwriting to revolutionise our understanding of exhibition curating.

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    Long description:

    Museum Exhibitions and Suspense takes insights from screenwriting to revolutionise our understanding of exhibition curating.


    Despite all genuine efforts to reach broader audiences, museums persistently fear riskingtheir credibility by becoming ‘too popular’. Thus, the enormous potential to learn from other storytelling forms more experienced in the field of entertainment remains essentially unexploited. Museum Exhibitions and Suspense unlocks this creative potential. A comparative in-depth analysis of three classical Hollywood films and three cultural historical exhibitions demonstrates how dramatic suspense techniques can be applied to exhibitions. These techniques must be adapted to the typical epic character of the exhibition medium. By differentiating between mild and wild suspense the book provides a new understanding of the nature of suspense itself.


    Museum Exhibitions and Suspense addresses academics and students in the fields of museum studies, gallery studies and heritage studies interested in how exhibitions function and in how to achieve dramaturgical effects like suspense. It also appeals to scholars and students within film studies who want to gain a deeper understanding of suspense. It provides an important resource for curators and other museum practitioners and scriptwriters who intend to create stories with a wide audience appeal.

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    Table of Contents:

    Introduction; Chapter 1. Suspense: Stories and audiences; Chapter 2. Narrative suspense: Structure and relevance; Chapter 3. Dramatic suspense: Hypotheses and emotions; Chapter 4. Suspense techniques; Chapter 5. Film analyses; Chapter 6. Exhibition analyses; Chapter 7. A thought experiment; Chapter 8. Suspense Revisited: Mild and wild; Conclusion; Outlook: Curators as storytellers

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