Mormons, Musical Theater, and Belonging in America
Series: Music in American Life; 561;
- Publisher's listprice GBP 18.99
-
8 573 Ft (8 165 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 1 715 Ft off)
- Discounted price 6 859 Ft (6 532 Ft + 5% VAT)
- Discount is valid until: 30 June 2026
Discounted price for customers subscribed to our weekly newsletter.
Subcribe now and take benefit of a favourable price.
Subscribe
Subcribe now and take benefit of a favourable price.
Subscribe
8 573 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1
- Publisher University of Illinois Press
- Date of Publication 30 June 2019
- Number of Volumes Paperback
- ISBN 9780252084331
- Binding Paperback
- No. of pages222 pages
- Size 229x152x15 mm
- Weight 313 g
- Language English
- Illustrations 5 black & white photographs, 12 music examples 0
Categories
Long description:
The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.
More
