Modernism's Other Work
The Art Object's Political Life
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Product details:
- Publisher OUP USA
- Date of Publication 23 July 2015
- ISBN 9780190255268
- Binding Paperback
- No. of pages274 pages
- Size 231x155x17 mm
- Weight 431 g
- Language English 0
Categories
Short description:
Modernism's Other Work challenges our view of relationships between aesthetic autonomy and the world of daily life--a conjuncture that Lisa Siraganian demonstrates has often been misunderstood in critical studies of modernism.
MoreLong description:
Modernism's Other Work challenges deeply held critical beliefs about the meaning-in particular the political meaning-of modernism's commitment to the work of art as an object detached from the world. Ranging over works of poetry, fiction, painting, sculpture, and film, it argues that modernism's core aesthetic problem-the artwork's status as an object, and a subject's relation to it-poses fundamental questions of agency, freedom, and politics. With fresh accounts of works by canonical figures such as William Carlos Williams and Marcel Duchamp, and transformative readings of less-studied writers such as William Gaddis and Amiri Baraka, Siraganian reinterprets the relationship between aesthetic autonomy and politics. Through attentive readings, the study reveals how political questions have always been modernism's critical work, even when writers such as Gertrude Stein and Wyndham Lewis boldly assert the art object's immunity from the world's interpretations. Reorienting our understanding of the period, Siraganian demonstrates that the freedom of the art object from the reader's meaning presented a way to imagine an individual's complicated liberty within the state. Offering readers an original encounter with modernism, Modernism's Other Work will interest literary and art historians, literary theorists, critics, and scholars in cultural studies.
In moving nimbly between modernism and postmodernism, accounting for a politics of aesthetics, and negotiating multiple media, this is modernist criticism at its athletic best. Siraganian's stringent argument for meaning's autonomy not only makes for provocative groupings but can change the way we understand autonomy and what it bequeaths. Moreover, Siraganian writes like the best prosecuting attorney you could hope for-or fear.
Table of Contents:
Introduction
Theorizing Art and Punctuation: Gertrude Stein's Breathless Poetry
Satirizing Frameless Art: Wyndham Lewis's Defense of Representation
Breaking Glass to Save the Frame: William Carlos Williams and Company
Challenging Kitsch Equality: William Gaddis's and Elizabeth Bishop's "Neo" Rear-Garde Art
Administering Poetic Breath for the People: Charles Olson and Amiri Baraka
Coda: Universal Breath
