Luxury Brand and Art Collaborations by Carlotto, Federica;

Short description:

The book explores luxury-art collaborations in the context of postmodern consumption, i.e. as a phenomenon deeply rooted in and emerging from the ways postmodern individuals value and consume objects, contents and ideas. 

Long description:

Over the past decades, collaborative initiatives between luxury brands and the art world have been increasing in number and relevance. At first treated as a mere trend or as a marketing stunt, in time luxury-art collaborations have come to be acknowledged as one of the most effective ways luxury brands and artists can position themselves in today’s market, engaging with their clients and audiences. This book sheds light on the socio-cultural valence of luxury-art collaborations. 

The book explores luxury-art collaborations in the context of postmodern consumption, i.e. as a phenomenon deeply rooted in and emerging from the ways postmodern individuals value and consume objects, contents and ideas. More specifically, the book covers: how collaborations reflect the postmodern condition and liquid consumption practices (hybrid, temporary, hyperreal); the impact of luxury-art collaborations on the evolution of luxury stores and museums, and the emergence of hybrid spaces (art fairs, nomadic exhibitions, pop-up stores) – the temporal features of luxury-art collaborations (shortlived duration and fast-paced tempo) – how luxury-art collaborations reshuffle traditional status dynamics while drawing new boundaries of social distinction based on experience and access – why luxury brands and creatives are redefining their conventional identities, morphing into cultural entities and bricoleurs. 

The book appeals to a wide range of readers, from academics and students in art business, luxury studies, consumption behaviour, to professionals in the luxury industry and the art world. The book is also relevant to an international readership of non-specialists interested in current social and cultural matters.

“From luxury brands to art collaborations, from postmodernism to culture, Federica Carlotto deftly analyzes the contemporary luxury imaginary. She produces useful and accessible insights into art’s co-operative manifestations and surveys numerous theoretical and practical approaches to postmodern consumer culture.”

-          John Armitage, University of Southampton.

“In this highly original study, the case studies chosen are rich and their analysis within the framework of postmodern consumer culture is compelling. The varied approach to the entangled notion of luxury and art enriches our understanding of a phenomenon that will have an impact on current and future discourses, both high and low.”

-          Flavia Frigeri, Art Historian and Curator

“Essential reading! Luxury Brand and Art Collaborations: Postmodern Consumer Culture provides a provocative analysis in a fresh approach to understanding how art and luxury are entwined in a post-modern, experiential and digitally networked world.  The book provides theoretically nuanced insights into how place-making, time-work and social status redefinitions are triggered by the management of collaborations between artists, creative directors and executives of luxury brand corporations.  Timely is an understatement!”

-          Annamma Joy, Professor of Marketing, University of British Columbia.

“Where does luxury end and art begin? A compelling and illuminating exploration into the true meaning of brand collaborations through a social-cultural lens.”

-          Rebecca Robins, Global brand and luxury expert, and best-selling author

Table of Contents:

INTRODUCTION

CHAPTER 1: POSTMODERNITY

Spectacular ensembles across genres and styles

The eclectic manipulation of fragments

Above and beyond: hyperreality and its enhanced atmospherics

CASE

Peculiar Contrast, Perfect Light: Virgil Abloh’s extravagant display

CHAPTER 2: PLACE

Designing luxury stores as heterotopias of wonder

Localism and nomadism of luxury spaces

The augmented geography of the art fair

CASE

La Galerie Dior and the creation of a new consumption ecosystem

CHAPTER 3: TIME

The digital now and its quantic moments

Unpacking and re-packaging the past

The circular timing of traditions and anniversaries

CASE

Rooted in the time of the planet: Retour Aux Sources and Ruinart

CHAPTER 4: STATUS AND DISTINCTION

Subversive, omnivorous, playful: the new facets of distinction

Enriched ownership, diversified access

The prestige-value and cultural nuances of experience

CASE

Old Masters, new customers: the “Victoria Beckham effect” on Sotheby’s business evolution

CHAPTER 5 IDENTITIES

Hyphenated creativity

Collaborative outputs as culture creation

Between outputs and outreach: the identity tension of luxury brands

CASE

“Dolce Vita 4.0”: the Roman patronage of Bulgari

CONCLUSIONS