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    Lucan: Spectacle and Engagement

    Lucan: Spectacle and Engagement by Leigh, Matthew;

    Series: Oxford Classical Monographs;

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      • Publisher's listprice GBP 252.50
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        114 003 Ft (108 575 Ft + 5% VAT)
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    114 003 Ft

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    Product details:

    • Publisher Clarendon Press
    • Date of Publication 6 March 1997

    • ISBN 9780198150671
    • Binding Hardback
    • No. of pages376 pages
    • Size 224x145x26 mm
    • Weight 574 g
    • Language English
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    Short description:

    The Pharsalia is Lucan's epic on the civil wars between Caesar and Pompey. It is a poem of immense energy and intelligence in which spectacle and spectatorship are prominent. The author shows that by transforming certain Virgilian narrative devices Lucan launches an attack on the Augustan ideology of the Aeneid: where Virgil writes the foundation myth for the new regime and celebrates the connections between Augustus and Aeneas, Lucan produces a savagely republican anti-Aeneid which represents the civil wars as the death of Rome.

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    Long description:

    The Pharsalia, Lucan's epic on the civil war between Caesar and Pompey, is a document of fundamental importance for students of the history and literature of Rome in the early imperial period. Whether one is a historian of the Republican opposition to Nero, or a literary critic teasing out the ideological implications of intertextuality, it is impossible to ignore this poem.

    Taking as his guiding theme the unusual prominence of spectacle and spectators in the Pharsalia - the tendency of either the narrator to represent complicity with or apathy towards the action of various charactyers as that of one who watches and does not engage, or of individual characters to celebrate the actions which they undertake by turning them into theatrical displays for others to watch - Dr Leigh demonstrates the importance of this phenomenon for narrative, and intertextual concerns as well as for history and socio-political matters. He shows how Lucan can take devices characteristic of Virgilian narrative and transform them to launch an attack on the Augustan ideology of the Aeneid and produce a savagely Republican anti-Aeneid which represents the civil wars as the death of Rome.

    By studying the tension between the narrator's impassioned interventions and his characters' often manic zeal to transform civil war into performance, this work discovers a Lucan who is as funny as he is serious, as reflective as he is committed.

    this is a very fine book ... It is widely and painstakingly researched, richly footnoted, and well indexed ... It leaves questions unanswered: but that is in the tradition of the most exciting scholarship.

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