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    Living Classics: Greece and Rome in Contemporary Poetry in English

    Living Classics by Harrison, S. J.;

    Greece and Rome in Contemporary Poetry in English

    Series: Classical Presences;

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 20 August 2009

    • ISBN 9780199233731
    • Binding Hardback
    • No. of pages362 pages
    • Size 223x145x24 mm
    • Weight 574 g
    • Language English
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    Short description:

    A collection of essays exploring the extensive use of Latin and Greek literary texts in a range of recent poetry written in English. It contains both contributions from poets, including Tony Harrison, Seamus Heaney, and Michael Longley, and essays from academic experts on the same topics.

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    Long description:

    This collection of essays explores the extensive use of Latin and Greek literary texts in a range of recent poetry written in English. It contains both contributions from poets, who include Tony Harrison, Seamus Heaney, and Michael Longley, talking about their uses of classical literature in their own work in lyric poetry and in theatre poetry, and essays from academic experts on the same topics. Living Classics asks why contemporary poets are returning to making versions of and allusions to Greek and Roman literature in their work, and interrogates the parallel interest of modern classical scholars in the contemporary reception of classical texts.

    This is an interesting book, with a great sense of doors opening

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    Table of Contents:

    Introduction: The Return of Classics
    Poets and Practice
    Horace on Teesside
    Jumping Their Bones: Translating, Transgressing and Creating
    Reconnecting with the Classics
    Catullus in the Playground
    Lapsed Classicist
    Poets in the Theatre
    Weeping for Hecuba
    Title Deeds - Translating a Classic
    Scholars on Poets
    The Argippaei (Herodotus 4.23) in Belfast
    Michael Longley Appropriates Latin Poetry
    The Homeric Convergences and Divergences of Seamus Heaney and Michael Longley
    Is 'the frail silken line' Worth More than 'a fart in a bearskin'? or, How Translation Practice Matters in Poetry and Drama
    The figure of Electra in Sylvia Plath's poetry: A Case of Identification
    The Autobiography of the Western Subject: Carson's Geryon
    'Purple Shining Lilies' : Imagining the Aeneid in Contemporary Poetry
    Shades of Rome in the Poetry of Derek Walcott
    'We'll all be Penelopes then': Art and Domesticity in American Women's Poetry, 1958-96
    Catullus in New Zealand: Baxter and Stead

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