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  • Late Medieval Female Subject Consciousness: Italian and English Mystics, Boccaccio, Chaucer, and Beyond

    Late Medieval Female Subject Consciousness by Amsel, Stephanie;

    Italian and English Mystics, Boccaccio, Chaucer, and Beyond

    Series: The New Middle Ages;

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      • Publisher's listprice EUR 128.39
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        53 249 Ft (50 714 Ft + 5% VAT)
      • Discount 12% (cc. 6 390 Ft off)
      • Discounted price 46 860 Ft (44 628 Ft + 5% VAT)

    53 249 Ft

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    Long description:

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    Late Medieval Female Subject Consciousness: Italian and English Mystics brings together disparate feminist theoretical approaches to explore the formation of medieval female subject consciousness in writings by female mystics including Angela of Foligno, Catherine of Siena, and Margery Kempe, as well as secular writings of Christine de Pizan, and powerful female characters of Giovanni Boccaccio and Geoffrey Chaucer. The rise of what Amsel calls “medieval female subject consciousness” shows that increased self-awareness and sense of self relates to how the authorship of texts reconstructs traditional female roles, particularly in Italian and English. These writing women challenged prevailing norms as they forged literal and figurative spaces to self-actualize through writing, even if the act of writing was performed by male amanuenses. This book explores how Boccaccio and Chaucer serve as witnesses by creating female characters who reflect changes in women’s writing in late medieval society in Italy and England.

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    Table of Contents:

    1. Introduction.- 2. Defining Medieval Female Subject Consciousness.- 3. Women’s Writing as a Form of Work.- 4. Writing the Body in Medieval Texts.- 5. Witnessing Medieval Female Subject Consciousness in Works of Giovanni Boccaccio and Geoffrey Chaucer.- 6. Conclusion.

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