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  • Innovation in the Arts: Concepts, Theories, and Practices

    Innovation in the Arts by White, Jason C.;

    Concepts, Theories, and Practices

    Series: Routledge Focus on the Global Creative Economy;

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      • Publisher's listprice GBP 51.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        24 838 Ft (23 655 Ft + 5% VAT)
      • Discount 20% (cc. 4 968 Ft off)
      • Discounted price 19 870 Ft (18 924 Ft + 5% VAT)

    24 838 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    This concise guide aims to increase what we understand by innovation in the arts and identify and support opportunities and strategies for the unique ways in which artists and arts administrators think about, engage in, and pursue successful innovation in their diverse creative practice.

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    Long description:

    This concise guide aims to increase what we understand by innovation in the arts and identify and support opportunities and strategies for the unique ways in which artists and arts administrators think about, engage in, and pursue successful innovation in their diverse creative practice.


    Innovations in the Arts are often marginalised from a research perspective, in part because of the lack of a sound and compelling theoretical framework to support and explain process distinctions from business and management innovation. This book identifies three key concepts - art innovation, art movement innovation, and audience experience innovation - supported by formal theory for each concept presented and evidenced through case studies in art history. In this way, the book enables readers to identify, explain, and support their innovation efforts as visual, literary, and performing artists and arts administrators. It also explores strategies for pursuing innovation in practice.


    Drawing attention to the unique ways in which artists and arts administrators think about and engage in innovation, this readable book will be an essential reading for students in all aspects of the creative and cultural industries and an essential guide to developing and promoting innovation in the arts for practitioners and researchers alike.



    "Dr. White is a brilliant theorist with a tenacious desire to make theory applicable and effective when put into action. Readers will find this to be supremely true in his book Innovation in the Arts: Concepts, Theories and Practices. For those looking for guidance on how to understand and implement innovation in the context of the arts, this book is an indispensable guide and an essential resource." Jonathan Gangi, The Pennsylvania State University, USA



    "Dr. Jason C. White's Innovation in the Arts: Theories, Concepts, and Practices is a welcomed and significant contribution. Not only does the book build linguistic consensus previously lacking in the arts entrepreneurship literature around key terms, but it theorizes key processes necessary for the discipline's future advancement and success." Antonio C. Cuyler, Florida State University, USA



    "This is a very much-needed book for arts entrepreneurship scholars and those interested in becoming arts entrepreneurs. This book lays the groundwork for advancing arts entrepreneurship theories by clarifying the most fundamental concepts and early theoretical endeavors in this field. Moreover, this book offers critical resources and perspectives to inspire conversations on research and practices that advocate for artists and arts entrepreneurs of color." Wen Guo, Elon University, USA



    "Art is always changing and consistently never the same. Dr. Jason C. White reminds us of something important: that in addition to innovation prescribed in standardized conventions from the top, downward in business management, White shows that innovation also springs fresh from the unique practices of artists and arts administrators." Clayton Funk, Ohio State University, USA

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    Table of Contents:

    1. Introduction 2. Key Terms for Mutual Understanding 3. A Theory of Art Innovation 4. A Theory of Art Movement Innovation 5. A Theory of Audience Experience Innovation 6. Conclusions and Suggested Directions

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