Immersive Technologies and Digital Heritage Valorization: Modeling, User Experience, and Cultural Mediation
Proceedings of the Conference on Immersive Technologies in Cultural Heritage, 2025
Series: Springer Proceedings in Geography and Sustainability;
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Product details:
- Publisher Springer Nature Switzerland
- Date of Publication 30 July 2026
- ISBN 9783032299574
- Binding Hardback
- No. of pages282 pages
- Size 235x155 mm
- Language English
- Illustrations V, 282 p. 106 illus., 53 illus. in color. 700
Categories
Long description:
The first edition of International and Interdisciplinary Conference on Immersive Technologies in Cultural Heritage (8-10 May 2025, IHEC Sfax) explored the transformative potential of immersive technologies in the Cultural and Creative Industries (CCIs), particularly within the domain of Cultural Heritage (CH). The conference unites researchers, practitioners, artists, and innovators from diverse fields-including the humanities, visual arts, cinema, music, architecture, economics, and engineering-to investigate how Virtual Reality (VR), Augmented Reality (AR), eXtended Reality (XR), and related technologies are revolutionizing how creators and audiences experience, preserve, and communicate CH. The overarching goal of the meeting is to address the intersection of digital heritage, user experience design, and creative industries through multidisciplinary perspectives into theoretical and practical applications of immersive technologies. In addition to insight generated from diverse perspectives, this gathering also emphasizes the community-driven nature of CH projects as well as practical challenges, highlighting approaches that ensure digital solutions that are inclusive, accessible, relevant to diverse populations, and environmentally and economically sustainable.
MoreTable of Contents:
From the Real to the Virtual: Synergy Between Photogrammetry, HBIM and Immersive Technologies for Heritage Enhancement.- Bridging Technical and Processual Gaps in HBIM: Lessons from the Great Mosque of Kairouan .- Heritage Building Information Modeling (HBIM) for Pathology Assessment: Toward a Preventive Conservation Strategy for the Medina Ramparts of Sfax.- Virtual Architecture in Museum Design.- Evaluation of the User Experience (UX) Through a Multi-Scale Approach: A Pilot Study Using Cognitive Gesture Chronophotography and HBIM.- Cultural User Experience (CUX) and Valorization of Cultural Heritage (CH): From a Marketing Perspective of Immersive Cultural Experiences.- Influence of Virtual Reality on Consumers’ Implicit Attitudes towards a Territory.- Visual Subliminal Stimuli in VR Tourism Marketing: Effects on Flow, Emotional Engagement, and Visit Intentions.- Immersive Narration and User Experience as core Principles of Expography in the Design of a Virtual Museum.- Innovative promotion of Sfax's heritage: synergy between storytelling and holograms A pilot study on generation Z engagement.- The Archaeological Marvel of Chemtou:Bridging History and Technology with Augmented Reality.- Immersive Technologies as a Space of Mediation Between Reality and Imagination: Virtuo-Morphosis for the Promotion of Cultural Heritage.- Performing Heritage in the Digital Age: Algorithms, Immersion, and Participatory Storytelling.- Modes of Engaging with History in Augmented Reality: A Conceptual Framework and an Artistic-Reflective Case Study.- Valorization of Tunisian “Malouf” Musical Heritage Via Immersive Technologies : A Design Thinking Perspective.- A World-Building Approach to Sound Design and Sonic Interaction Design in Cultural Heritage Immersive Experiences.
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