Imagining Spectatorship
From the Mysteries to the Shakespearean Stage
Series: Oxford Textual Perspectives;
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Product details:
- Publisher OUP Oxford
- Date of Publication 21 April 2016
- ISBN 9780198768623
- Binding Paperback
- No. of pages224 pages
- Size 203x137x12 mm
- Weight 254 g
- Language English 0
Categories
Short description:
Imagining Spectatorship is a highly innovative study in the emerging area of early spectatorship, focusing on the spectators' experience to offer new perspectives on early drama.
MoreLong description:
Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works.
Imagining Spectatorship offers a new discussion of how spectators witnessed early drama in the various spaces and places in which those works were performed. It combines broad historical and theoretical reflection with closely analysed case studies to produce a comprehensive account of the ways in which individuals encountered early drama, how they were cued to respond to it, and how we might think about those issues today.
It addresses the practical matters that conditioned spectatorship, principally those concerned with the location and configuration of the spaces in which a performance occurred, but also suggests how these factors intersected with social status, gender, religious commitment and affiliation, degrees of real or felt personal agency, and the operation of the cognitive processes themselves. It considers both real witnesses and those 'imagined' spectators which are seemingly figured by both dramatic and quasi-dramatic works, and whose assumed attitudes play-makers sought to second-guess. It also looks at the spectatorial experience itself as a subject of representation in a number of early texts. Finally, it examines the complex contract entered into by audiences and players for the duration of a performance, looking at how texts cued spectators to respond to specific dramaturgical tropes and gambits and how audience response was itself a cause of potential anxiety for writers.
The book resists the conventional divide between 'medieval' and 'early-modern' drama, using its focus on the spectators' experience to point connections and continuities across a diverse range of genres, such as processions and tourneys as well as scripted plays, pageants, and interludes; a variety of different venues, such as city streets, great halls, and playhouses, and a period of about 150 years to the Shakespearean stage of the 1590s and 1600s. It seeks to offer routes by which inferences about early spectatorship can be made despite the relative absence of personal testimony from the period.
In sum, I recommend this volume ... For comparison, readers should consult more recent embodied cognitive scholarship, especially from scholars of early modern Hispanic literatures.
Table of Contents:
The Spectatorial Turn
Tudor Household Drama: Beyond the Cognitive Turn
Figuring the Spectator: The Entertainments at Carew Castle and Wisdom
Staging Revelation: Virtuous and Godly Susanna, John Bale, and the Chester Antichrist
Witnessing The Three Estates
Afterword: Cueing Spectatorship
