Hiroshige: Nature and the City
- Publisher's listprice GBP 65.00
-
31 053 Ft (29 575 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 15% (cc. 4 658 Ft off)
- Discounted price 26 396 Ft (25 139 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
31 053 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Thames & Hudson
- Date of Publication 26 October 2023
- ISBN 9789493039988
- Binding Hardback
- No. of pages525 pages
- Weight 3040 g
- Language English 507
Categories
Long description:
Hiroshige: Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (17971858) in the English language to date. It is based on the largest collection of Hiroshige in private hands outside Japan, the Alan Medaugh collection.
The catalogue consists of 500 entries, with an emphasis on urban and rural landscapes, fan prints and prints of birds and flowers. Grouped chronologically by subject it presents Hiroshiges interpretation of the urban scenes from his hometown Edo (present-day Tokyo), the great series documenting travel along the famous highways of Japan, and the idylls of nature as represented in his bird-andflower prints.
Hiroshige often incorporated poetry in his works and for the first time all textual content is transcribed and translated. Additionally, the catalogue pays due attention to the differences between variant editions of his prints. Thus, it provides essential comparative material for every scholar, dealer, and collector.
Five essays precede the catalogue section, each written by specialists in the field. Rhiannon Paget (Curator of Asian Art at The John and Mable Ringling Museum of Art) provides a general introduction to Hiroshiges life and career. Andreas Marks (Curator Minneapolis Museum of Art) contributes two essays: on the publishers of Hiroshiges prints and on Hiroshiges collaborative works designed with his colleagues. Shiho Sasaki (conservation specialist at the Asian Art Museum of San Francisco) discusses the pigment use in Hiroshiges prints while John Carpenter (Curator of Japanese Art at the Metropolitan Museum of Art) investigates the source of the poetry of Hiroshige bird-and-flower prints.