Gender, Writing, and Performance
Men Defending Women in Late Medieval France (1440-1538)
Series: Oxford Modern Languages and Literature Monographs;
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Product details:
- Publisher OUP Oxford
- Date of Publication 28 February 2008
- ISBN 9780199232239
- Binding Hardback
- No. of pages304 pages
- Size 224x146x20 mm
- Weight 538 g
- Language English
- Illustrations 24 black-and-white halftones 0
Categories
Short description:
Helen Swift examines late-medieval and early-modern French imaginative literature written by men in defence of women of great popularity in its own time - including catalogues of virtuous women, allegorical narratives, and debate poems.
MoreLong description:
This book explores the poetics of literary defences of women written by men in late-medieval and early-modern France. It fills an important lacuna in studies of this polemic in imaginative literature by bridging the gap between Christine de Pizan and a later generation of women writers and male, Neo-Platonist writers who have recently all received due critical attention. Whereas male-authored defences composed between 1440 and 1538 have previously been dismissed as 'insincere' or 'mere intellectual games', Swift formulates reading strategies to overcome such critical stumbling blocks and engage with the particular rhetorical and historical contexts of these works. Edited and as yet unedited texts by Martin Le Franc, Jacques Milet, Pierre Michault, and Jean Bouchet-catalogues of women, allegorical narratives, and debate poems-are brought together and analysed in detail for the first time in order to explore, for example, how such works address the misogynistic spectre of Jean de Meun's Roman de la rose.
The book seeks to understand the contemporary popularity of the case for women (la querelle des femmes) as literary subject matter. It investigates the publication history across this period, from manuscript to print, of Le Franc's Le Champion des dames. Swift further aims to show how these texts hold interest for modern audiences. A nexus of theoretical concerns centred on performance - Judith Butler's gender performativity, Derrida's re-working of Austin's linguistic performativity through spectrality, and dramatic performance - is enlisted to articulate the interpretative engagement expected by querelle writers of their audience. The reading strategies proposed foster a nuanced and enriched perspective on the question of a male author's 'sincerity' when writing in defence of women.
one of the most well-articulated and thoughtfully conceived contributions to scholarship in this field
Table of Contents:
Introduction
Haunting Text and Paratext: Performing Intertextuality in querelle Debates
Performing Conflict: The Drama of Debate
Representing Women in the querelle des femmes
Conclusion: A New Shelf-Life?
Appendix 1: Chronologies of querelle des femmes Texts;
Appendix 2: Lists of Manuscripts, Incunables, and Early Printed Editions
List of Works cited
