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  • Figuring Faith and Female Power in the Art of Rubens

    Figuring Faith and Female Power in the Art of Rubens by Lyon, J. Vanessa;

    Series: Visual and Material Culture, 1300-1700; 23;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 128.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        61 152 Ft (58 240 Ft + 5% VAT)
      • Discount 20% (cc. 12 230 Ft off)
      • Discounted price 48 922 Ft (46 592 Ft + 5% VAT)

    61 152 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    This book argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them

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    Long description:

    Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.

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    Table of Contents:

    Introduction, Prologue, Chapter One. Samson and Dilemma: Rubens Confronts the Woman on Top, Chapter Two. Making Assumptions: Marian Tropes After Italy, Chapter Three, -Part One. Recycling Sovereignty: Maria de' Medici, -Part Two. Figuring Faith and Female Power: Isabel Clara Eugenia, Chapter Four. Peace Embraces Plenty: Queering Female Virtue at Whitehall, Chapter Five. Feminizing Rubens in the Seventeenth Century, Epilogue, Index.

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