Fetish: Fashion, Sex, and Power
Fashion, Sex, and Power
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40 608 Ft (38 675 Ft + 5% VAT)
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40 608 Ft
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Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 7 December 1995
- ISBN 9780195090444
- Binding Hardback
- No. of pages280 pages
- Size 254x183x25 mm
- Weight 794 g
- Language English
- Illustrations 24 pp colour illustrations, halftones 0
Categories
Short description:
`Steele is to fetish dressing what Anne Rice is to vampires.' Christa Worthington, Elle Fetish Fashion, Sex, and Power Valerie Steele Corsets. High heels. Thigh-high leather boots. Tattoos and body piercing. What do they mean?
Historically grounded and abundantly illustrated, Fetish: Fashion, Sex, and Power charts the boundaries of the normal and `perverse', showing how even the most unusual clothing fetishes enable their wearers (male and female, gay and straight) to use clothing to express their social and sexual identities.
Long description:
The word fetishism evokes images of `kinky' sex, involving an abnormal attraction to certain articles of clothing, such as black leather boots, or body parts, like legs and buttocks. Yet the fetish is in fashion - on the catwalks and in the streets. Leather gear, body piercing, second-skin rubber, even the corset, are back; no longer restricted to sexual subcultures but worn by `club kids' and socialites alike. While fetishism has traditionally been regarded by pyschologists as a `perversion', modern fashion has increasingly embraced characteristic fetish-items such as the spiked high-heel shoe.
Fetish: Fashion, Sex, and Power is a historically-grounded study of the relationship between fashion and fetishism. Treating fashion as a symbolic system linked to the expression of sexuality, Steele marshals a dazzling array of evidence from pornography, psychology, and historical literature to illuminate this relationship. Is it fashion or fetish when fashion magazines feature the straps and stilettos of the dominatrix? What of body piercing, either ear rings or those worn through genitals? Is the corset, whether worn by men or women a `style' or a `perversion'.
Steele brilliantly charts the boundaries of the `normal' and the `perverse', and shows how even the most bizarre-seeming clothing fetishes enable their wearers (male and female, gay and straight) to use clothing to express their social and sexual identities.
Steele is a fun and erudite companion as she traces the drift of subcultural sexual codes into mainstream film, TV and magazines.
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