Enlightened Animals in Eighteenth-Century Art
Sensation, Matter, and Knowledge
Series: Material Culture of Art and Design;
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Product details:
- Publisher Bloomsbury Publishing (UK)
- Date of Publication 20 April 2023
- Number of Volumes Paperback
- ISBN 9781350203624
- Binding Paperback
- No. of pages256 pages
- Size 234x156x18 mm
- Weight 600 g
- Language English
- Illustrations 10 colour and 83 bw illus 447
Categories
Long description:
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers in Western Europe, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters, sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The independent agency of animals with their own right to free existence, a topic of growing urgency in our own era, emerges in striking and often surprising ways within this early nexus of artistic experimentation.
The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry in the eighteenth century, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettre, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory, thinking subject while also validating the material basis of their own professional practice.
Table of Contents:
Introduction
1. The Social Animal
2. The Sensitive Animal
3. Monkey Artists
4. The Language of Brutes
5. Animating Porcelain
6. The Soul of Matter
Conclusion
Bibliography
Index
Faith's Certainties
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