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  • Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium

    Dionysus Since 69 by Hall, Edith; Macintosh, Fiona; Wrigley, Amanda;

    Greek Tragedy at the Dawn of the Third Millennium

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      • Publisher's listprice GBP 207.50
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        102 401 Ft (97 525 Ft + 5% VAT)
      • Discount 10% (cc. 10 240 Ft off)
      • Discounted price 92 161 Ft (87 773 Ft + 5% VAT)

    102 401 Ft

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 8 January 2004

    • ISBN 9780199259144
    • Binding Hardback
    • No. of pages500 pages
    • Size 223x145x32 mm
    • Weight 835 g
    • Language English
    • Illustrations numerous halftones
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    Short description:

    Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This lavishly illustrated book is the first attempt fully to document and explain its revival. It assembles fourteen essays by specialists from classics, theatre studies, and the professional theatre, who relate the recent production history of Greek tragedy to social and academic trends.

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    Long description:

    Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.

    Hall's 46-page introduction to the volume is one of the best pieces that have been written so far in the area of Reception Studies of classical texts, and ought to be mandatory reading for anyone interested in this area.

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    Table of Contents:

    Introduction: Why Greek tragedy since the late 1960s?
    1. Dionysus and the Sex War
    Dionysus in '69
    Bad women: gender politics in late twentieth-century performance and revision of Greek tragedy
    Heracles as Dr Strangelove and GI Joe: male heroism deconstructed
    2. Dionysus in Politics
    Sophocles' Philoctetes, Seamus Heaney's, and some other recent half-rhymes
    Aeschylus, race, class, and war in the 1990s
    Greek tragedy in cinema: theatre, politics, history
    Greek drama and anti-colonialism: decolonising Classics
    3. Dionysus and the Aesthetics of Performance
    The use of masks in modern performances of Greek tragedy
    Greek notes in Samuel Beckett's theatre art
    Greek Tragedy in late twentieth-century opera
    4. Dionysus and the Life of the Mind
    Oedipus in the East End: from Freus to Berkoff
    Thinking about the origins of theatre in the 1970s
    The voices we hear
    Details of productions discussed

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