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  • Digital Expressions of the Self(ie): The Social Life of Selfies in India
      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 42.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 538 Ft (19 560 Ft + 5% VAT)
      • Discount 20% (cc. 4 108 Ft off)
      • Discounted price 16 430 Ft (15 648 Ft + 5% VAT)

    20 538 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    The book examines the social and cultural role of selfies in India and its diaspora.

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    Long description:

    The book examines the social and cultural role of selfies in India. It looks at how the selfie, unlike the photograph, which was a gesture towards an external reality, remains intimately self-referential, yet reconfigures social ordering, identity formation, agency, and spaces in curious ways.


    This volume approaches questions about the construction and performance of the self through the digital selfie and uses this situated, contextualized, and culturally specific phenomenon as a site to explore the themes of self-making, place-making, gender, subjectivity, and power. Highlighting the specific contexts of production, the authors examine the array of self-expressive capabilities realized in a multitude of uses of the selfie that simultaneously reconfigure the self, the space, and the world.


    An important study of visual social media culture, the volume will be useful for interpreting everyday media experiences and will be of interest to students and researchers of image studies, visual studies, photography studies, visual culture, media studies, culture studies, cultural anthropology, digital humanities, popular culture, sociology of technology, and South Asian studies.



    ?Selfies have been subjected to scholarly scrutiny over the past decade. But this collection of essays on ?the social life of selfies in India? brings a refreshing and important localized take on the tactility, temporality, and technique of the selfie. Contributors draw from a variety of disciplines including Sociology, Fan Studies, Urban Studies, and Media Studies to interrogate the evolutionary role of selfies among various grassroots groups in one of the most populous countries globally. Considering established social media like Instagram, newer social media like TikTok, and messaging apps like WhatsApp, the collection unravels how selfies are constructed and deployed by identity groups including young men and domestic labourers, and interest groups including tourists, fans, and avid readers. Collectively, these emotive stories question the socio-cultural impacts of selfies as product and praxis, and their enduring ability to shape human understanding one snap at a time.?


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    Table of Contents:

    1. Introduction 2. Still/moving images: Performing masculinity and making place in Delhi's ' hotspots'3. Probing ?Insta-worthiness?: Siting the Selfie 4. Putting the selfie to work: Image making and work/ time discipline in the margins of the Indian state 5. Posthumous selfy memory: Fan identities and the making of superstars 6. Creating and curating the performing object: Self-making on

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