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  • Dance and Modernism in Irish and German Literature and Culture: Connections in Motion

    Dance and Modernism in Irish and German Literature and Culture by Egger, Sabine; Foley, Catherine; Harper, Margaret;

    Connections in Motion

      • GET 8% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 90.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        42 997 Ft (40 950 Ft + 5% VAT)
      • Discount 8% (cc. 3 440 Ft off)
      • Discounted price 39 558 Ft (37 674 Ft + 5% VAT)

    42 997 Ft

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    Product details:

    • Publisher Lexington Books
    • Date of Publication 2 December 2019
    • Number of Volumes Hardback

    • ISBN 9781498594264
    • Binding Hardback
    • No. of pages270 pages
    • Size 228x160x22 mm
    • Weight 603 g
    • Language English
    • Illustrations 11 Illustrations, unspecified
    • 0

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    Short description:

    This collection of essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture since the 1920s.

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    Long description:

    A collection of scholarly articles and essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.

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    Table of Contents:

    Chapter One: Modernism, Migration, and Irish
    -German Connections in the 1930s and 1940s: The Impact of Modern Physics and Dance on Ireland
    Gisela Holfter

    Chapter Two: Erina Brady: Mary Wigman?s Irish Disciple?
    Deirdre Mulrooney

    Chapter Three: Duality of Cultural Influences as a Source of Insight and Inspiration: The Collaboration between Aloys Fleischmann and Joan Moriarty 19471992
    Ruth Fleischmann

    Chapter Four: Irish Dance Documentation for the Archive: A Personal Reflection on Irish
    -German Connections and Intellectual Inheritances
    Catherine E. Foley

    Chapter Five: ?Somewhere Between Remembering and Forgetting?: An Examination of the Choreographic Process Inspired by the Poem ?The Man Made of Rain? by Brendan Kennelly
    Marguerite Donlon

    Chapter Six: Creating Tanztheater: Finding Ireland with Pina?
    Finola Cronin
    Chapter Seven: Irish Modernism and the History and Aesthetics of Dance
    Susan Jones

    Chapter Eight: Rhythm and Colour: The Legacy of Dance in 1930s Joyce and Beckett
    Siobhán Purcell

    Chapter Nine: Yeats?s Transgressive Dancers
    Margaret Mills Harper

    Chapter Ten: ?I as a Text,? I as a Dance: On the Relationship of Contemporary Dance and Contemporary Poetry with Reference to Anne Juren, Martina Hefter, Monika Rinck, and Philipp Gehmacher
    Lucia Ruprecht

    Chapter Eleven: Dancing between Transgression and the Carnivalesque after 1945/1989: Johannes Bobrowski and Katja Petrowskaja
    Sabine Egger

    Chapter Twelve: Dance and the Postmodern Subject in ?Libidoökonomie? and ?Der Kranich auf dem Kiesel in der Pfütze? by Feridun Zaimoglu
    Joseph Twist

    Chapter Thirteen: ?Alive. Changing. New?: Impulses of the Jaques
    -Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe
    Tanja Poppelreuter and Jan Frohburg

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