The Western Midlands by Bryant, Richard;

The Western Midlands

Series: Corpus of Anglo-Saxon Stone Sculpture; 10;

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Product details:

Publisher The British Academy
Date of Publication 16 August 2012

ISBN 9780197265154
Binding Hardback
No. of pages620 pages
Size 285x222x15 mm
Weight 2504 g
Language English
Illustrations colour frontispiece, 796 half-tones in ten plate sections, 11 colour maps, 25 line drawings, 10 line maps

Short description:

This latest volume records all of the pre-Conquest sculpture in Gloucestershire, Herefordshire, Shropshire, Warwickshire and Worcestershire at a high scholarly level. The result is of importance not just to specialists but to all who are interested in the development of the church and the history of the early medieval period in these counties.

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Long description:

The stone sculpture of Anglo-Saxon England forms an important source for archaeologists and historians - offering fascinating insights into the thought-world of early medieval people. This volume surveys the western Midland counties of Gloucestershire, Herefordshire, Shropshire, Warwickshire and Worcestershire, and provides an analytical catalogue of the Anglo-Saxon stone sculptures of that region.

Introductory chapters set the material within an historical, topographical and art-historical context, and there are specialist contributions concerning the geology of the monuments and the analysis of surviving ninth-century paint. There is a full photographic record of each monument which includes many new illustrations.

The monuments include important collections of material from Gloucester, Deerhurst and Shrewsbury, as well as individual sculptures of the highest quality such as the Cropthorne cross-head, cross-shafts from Acton Beauchamp and Wroxeter, and the small but exquisite Lechmere Stone from Hanley Castle in Worcestershire. Some of the early monuments from the western borders of the study area are linked to the traditions of the Celtic churches of the west, but much of the material was carved at a time when Mercian art was at its zenith in the late eighth to early tenth centuries. There is also a significant body of carvings from the later tenth and eleventh centuries, but Scandinavian influence - so apparent in Northumbria and much of the rest of Mercia - is notably absent from these western counties until the early eleventh century.

This volume shows that Western Mercia offered a vibrant milieu in which influential artistic ideas could develop and spread, not just in carved stone but also in manuscripts, metalwork and other materials, and that, even in the unified Anglo-Saxon kingdom, Mercian craftsmen continued to produce works of the highest quality.

The British Academy's Corpus of Anglo-Saxon Stone Sculpture is again to be congratulated on completing another milestone in its coverage. ... There is much new information here, particularly on the growth of Mercian art and culture between the 8th and 11th centuries.