Chung Seoyoung
What I Saw Today
- Publisher's listprice GBP 30.00
-
14 332 Ft (13 650 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 15% (cc. 2 150 Ft off)
- Discounted price 12 183 Ft (11 603 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
14 332 Ft
Availability
Estimated delivery time: Expected time of arrival: end of January 2026.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Thames & Hudson
- Date of Publication 31 August 2023
- ISBN 9788857248561
- Binding Paperback
- No. of pages230 pages
- Weight 1240 g
- Language English 492
Categories
Long description:
The monographic survey of Chung Seoyoungs (b.1964) sculptural practice from the 1990s up to the present is published in conjunction and response to Chungs retrospective exhibition held at the Seoul Museum of Art (SeMA) from September 1 to October 31, 2022. Chung Seoyoung is a sculptor who has pioneered the discourse and the artistic practice around things and their status and relations in flux over time, and is regarded as a representative artist who demonstrated the turn towards contemporaneity in the 1990s Korean art scene.
More than an exhibition documentation, the publication traces how the problems of the world that the artist deals with have transitioned by considering Chung Seoyoungs sculptural practice in both synchronic and diachronic manner. In the artists engagement in the physical paths through which the world is perceived and her interest in things as manifestation of the world's relations converted to matter, Chung expands the scope of sculpture, and simultaneously searches for ways to remember the vernacular of sculpture.
The book includes essays written by art historian Jihan Jang, curator and art historian Chus Martinez, and writer and critic Marina Vishmidt, and a conversation with artist Sung Hwan Kim. Their in-depth research and diverse perspectives not only put forth novel interpretations of Chung Seoyoungs oeuvre, but also recast both subtle and major shifts in Korean contemporary art that is yet to be widely discussed.