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    Chinese Face/Off: The Transnational Popular Culture of Hong Kong

    Chinese Face/Off by Lo, Kwai-Cheung;

    The Transnational Popular Culture of Hong Kong

    Series: Pop Culture and Politics Asia PA;

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 16.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        7 670 Ft (7 305 Ft + 5% VAT)
      • Discount 10% (cc. 767 Ft off)
      • Discounted price 6 903 Ft (6 575 Ft + 5% VAT)

    7 670 Ft

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    Availability

    Temporarily out of stock.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher University of Illinois Press
    • Date of Publication 22 March 2005
    • Number of Volumes Paperback

    • ISBN 9780252072284
    • Binding Paperback
    • See also 9780252032738
    • No. of pages296 pages
    • Size 229x152x23 mm
    • Weight 426 g
    • Language English
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    Long description:

    "

    Jackie Chan's high-flying stunts, giant pandas, and even the unintentionally hilarious English subtitles that often accompany Hong Kong's films are among the many targets of Kwai-Cheung Lo's in-depth study of Hong Kong popular culture.--

    Drawing on current concepts of globalization as well as the theories of Jacques Lacan and Slavoj Zizek, Chinese Face/Off explores the way in which fantasy operates in relation to ethnic and national identity. The book offers a critical perspective for approaching the question of cultural otherness by problematizing what it means to be Chinese and explaining how Hong Kong popular culture serves as an imaginary screen for its many compatriots seeking to understand what it means to be ""Chinese"" in a global age.

    Examining topics including film, newspaper culture, theme parks, and kung-fu comics as well as the interaction of the Hong Kong film industry with Hollywood, Lo uncovers Hong Kong's importantly ""transnational"" identity defined in terms of complex relationships with mainland China, other diasporic communities (like Taiwan), and the West.----

    "

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