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    China Forever: The Shaw Brothers and Diasporic Cinema

    China Forever by Fu, Poshek;

    The Shaw Brothers and Diasporic Cinema

    Series: Pop Culture and Politics Asia PA; 9;

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      • Publisher's listprice GBP 88.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        39 732 Ft (37 840 Ft + 5% VAT)
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      • Discount is valid until: 30 June 2026

    39 732 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher University of Illinois Press
    • Date of Publication 18 July 2008
    • Number of Volumes Hardback

    • ISBN 9780252032738
    • Binding Hardback
    • No. of pages280 pages
    • Size 229x152x23 mm
    • Weight 567 g
    • Language English
    • Illustrations 12 black & white photographs
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    Long description:

    Started in Shanghai in the 1920s, the legendary Shaw Brothers Studio began to dominate the worldwide Chinese film market after moving its production facilities to Hong Kong in 1957. Drawing together scholars from such diverse disciplines as history, cultural geography, and film studies, China Forever addresses how the Shaw Brothers raised the production standards of Hong Kong cinema, created a pan-Chinese cinema culture and distribution network, helped globalize Chinese-language cinema, and appealed to the cultural nationalism of the Chinese who found themselves displaced and unsettled in many parts of the world during the twentieth century.
    --
    Contributors are Timothy P. Barnard, Cheng Pei-pei, Ramona Curry, Poshek Fu, Lane J. Harris, Law Kar, Sundiata Keita Cha-Jua, Lilly Kong, Siu Leung Li, Paul G. Pickowicz, Fanon Che Wilkins, Wong Ain-ling, and Sai-shing Yung.

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    Table of Contents:

    Acknowledgments---- vii

    Introduction: The Shaw Brothers Diasporic Cinema---- 1
    Poshek Fu
    1. Shaw Cinema Enterprise and Understanding Cultural Industries---- 27
    Lily Kong
    2. Shaw's Cantonese Productions and Their Interactions with Contemporary Local and Hollywood Cinema---- 57
    Law Kar
    3. Embracing Glocalization and Hong Kong-Made Musical FIlm---- 74
    Siu Leung Li
    4. Three Readings of Hong Kong Nocturne---- 95
    Paul G. Pickowicz
    5. The Black-and-White Wenyi Films of Shaws---- 115
    Wong Ain-ling
    6. Territorialization and the Entertainment Industry of the Shaw Brothers in Southeast Asia---- 133
    Sai-shing Yung
    7. The Shaw Brothers' Malay FIlms---- 154
    Timothy P. Barnard
    8. Bridging the Pacific with Love Eterne---- 174
    Ramona Curry
    9. Black Audiences, Blaxploitation and Kung Fu Films, and Challenges to White Celluloid Masculinity---- 199
    Sundiata Keita Cha-Jua
    10. Shaw Brothers Cinema and the Hip-Hop Imagination---- 224
    Fanon Che Wilkins
    11. Reminiscences of the Life of an Actress in Shaw Brothers' Movietown---- 246
    Cheng Pei-pei
    (translated by Jing Jing Chang and Jeff McClain)

    Select Filmography---- 255
    Lane J. Harris
    Contributors---- 257
    Index---- 261

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