Catholics in the Movies
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Product details:
- Publisher OUP USA
- Date of Publication 10 January 2008
- ISBN 9780195306569
- Binding Hardback
- No. of pages384 pages
- Size 175x254x20 mm
- Weight 856 g
- Language English
- Illustrations 50 halftones 0
Categories
Short description:
At the movies, catholicism is the American religion. Eleven prominent scholars explore how catholic characteres, sapces and rituals are represented in film. With chapters on movies ranging from Going My Way to Dogma, contributors provide close readings that illuminate critical themes and images as they set the films their historical context.
MoreLong description:
The common admission that 'everything I know about religion I learned from the movies' is true for believers as much as for unbelievers. And at the movies, Catholicism is the American religion. As an intensely visual faith with a well-defined ritual and authority structure, Catholicism lends itself to the drama and pageantry of film. Beginning with the 1915 silent movie Regeneration and ending with Mel Gibson's The Passion of the Christ, eleven prominent scholars explore how Catholic characters, spaces, and rituals are represented in cinema. Each of the contributors to Catholics in the Movies has chosen one movie from over one hundred years of moviemaking to discuss what happens when an organized religion - not just Bible stories or spiritual themes - enter into a film. Arranged chronologically, Catholics in the Movies sets the films within a wider historical narrative while providing close readings of critical themes and images that go beyond the conventional. Several chapters focus on the many directors and screenwriters who were raised in Catholic families, and who explore this faith in complex and compelling ways. Authors look at film classics like Going My Way and The Song of Bernadette to reveal how Catholic characters simultaneously reflect outsider status as well as the 'American way-of-life.' They consider the violence of The Godfather and the physicality of The Exorcist not simply as antonyms for religion but as tightly linked to Catholic sensibilities. Lesser known films like Seven Cities of Gold and Santitos are examined for their connection to historical movements like anti-communism and Mexican immigration. Tracing the story of American Catholic history through popular films, Catholics in the Movies should be a valuable resource for anyone interested in American Catholicism and religion and film.
Colleen McDannell has brought together an all-star cast of scholars to examine what happened when American Catholics went to the movies, what happened to them and to the movies. Movie screens were an extension of the streets and shrines of the American church, where Catholics struggling with the hard realities of American life encountered their deepest fears and wildest dreams. This fabulous book makes it clear that going to the movies was as formative of American Catholicism as going to church.
