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  • Camille Pissarro: Impressopmism, Landscape and Rural Labour

    Camille Pissarro by Thomson, Richard;

    Impressopmism, Landscape and Rural Labour

      • GET 8% OFF

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      • Publisher's listprice GBP 18.95
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        9 053 Ft (8 622 Ft + 5% VAT)
      • Discount 8% (cc. 724 Ft off)
      • Discounted price 8 329 Ft (7 932 Ft + 5% VAT)

    9 053 Ft

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    Product details:

    • Publisher Rowman & Littlefield
    • Date of Publication 21 April 1998

    • ISBN 9780941533904
    • Binding Hardback
    • No. of pages128 pages
    • Size 241x213x14 mm
    • Weight 599 g
    • Language English
    • 0

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    Short description:

    Camille Pissarro (1830-1903) was at the very center of the Impressionist movement. Although his paintings seem to typify the impressionist style, the variety of media in which he worked and his working practices, which involved careful studio preparation as well as plein air painting, lead us to redefine our concept of Impressionism.

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    Long description:

    Camille Pissarro (1830-1903) was at the hub of the Impressionist movement. He exhibited at all eight of the group exhibitions, and his paintings appear to typify the Impressionist style. However, his work is very complex and diverse. The variety of media in which he worked?pastel, gouache, etching, even painting on ceramic tiles?and his working practices, which involved careful studio preparation as well as plein air work, raise questions that require us to redefine our concept of Impressionism. Pissarro's own concept of his art interlocked with his anarchist ideology. His belief in a harmonious and classless future society, based on rural communities, was expressed in his lyrical idealizations of the French landscape. But, if in such paintings he played down the contemporary crisis in French agriculture, in his images of the Parisian suburbs and the port of Rouen he tried to come to terms with a modern, industrial society. This book, based on a 1990 touring exhibition organized by the British South Bank Centre, surveys his work in all media.

    [An] exceptionally well chosen exhibition.

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