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    Believing in Film: Christianity and Classic European Cinema

    Believing in Film by Le Fanu, Mark;

    Christianity and Classic European Cinema

    Series: Cinema and Society;

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      • Publisher's listprice GBP 25.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        13 153 Ft (12 527 Ft + 5% VAT)
      • Discount 20% (cc. 2 631 Ft off)
      • Discounted price 10 523 Ft (10 022 Ft + 5% VAT)

    13 153 Ft

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    Product details:

    • Publisher Bloomsbury Academic
    • Date of Publication 19 March 2020
    • Number of Volumes Paperback

    • ISBN 9781350160491
    • Binding Paperback
    • No. of pages288 pages
    • Size 198x128x22 mm
    • Weight 320 g
    • Language English
    • Illustrations 40 b&w
    • 238

    Categories

    Long description:

    We live in a secular world and cinema is part of that secular edifice. There is no expectation, in modern times, that filmmakers should be believers - any more than we would expect that to be the case of novelists, poets and painters. Yet for all that this is true, many of the greatest directors of classic European cinema (the period from the end of World War II to roughly the middle of the 1980s) were passionately interested not only in the spiritual life but in the complexities of religion itself. In his new book Mark Le Fanu examines religion, and specifically Christianity, not as the repository of theological dogma but rather as an energizing cultural force - an 'inflexion' - that has shaped the narrative of many of the most striking films of the twentieth century. Discussing the work of such cineastes as Eisenstein and Tarkovsky from Russia; Wajda, Zanussi and Kieslowski from Poland; France's Rohmer and Bresson; Pasolini, Fellini and Rossellini from Italy; the Spanish masterpieces of Bu?uel, and Bergman and Dreyer from Scandinavia, this book makes a singular contribution to both film and religious studies.

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    Table of Contents:

    General Editor's Introduction
    Introduction
    CHAPTER 1: Russia: Tarkovsky, Eisenstein and Christianity
    CHAPTER 2: Poland: A Trio of Catholics
    CHAPTER 3: France: The Apostasy of Robert Bresson
    CHAPTER 4: Italy: Christianity and Neo-Realism
    CHAPTER 5: Scandinavia: Lutheran Interludes
    CHAPTER 6: Spain: The Heresies of Don Luis
    CHAPTER 7: Russia Again: Millennial Faith and Nihilism
    Afterword
    Acknowledgements
    List of Illustrations
    Bibliography
    Index

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