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  • Art, Craft, and Theology in Fourth-Century Christian Authors

    Art, Craft, and Theology in Fourth-Century Christian Authors by Ludlow, Morwenna;

    Series: Oxford Early Christian Studies;

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      • Publisher's listprice GBP 91.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        43 475 Ft (41 405 Ft + 5% VAT)
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    43 475 Ft

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    Estimated delivery time: Expected time of arrival: end of January 2026.
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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 1 October 2020

    • ISBN 9780198848837
    • Binding Hardback
    • No. of pages282 pages
    • Size 242x165x20 mm
    • Weight 560 g
    • Language English
    • 100

    Categories

    Short description:

    Art, Craft, and Theology in Fourth-Century Christian Authors analyses Christian Greek literature in the fourth century in order to emphasise the style, ingenuity, and craftsmanship demonstrated by the authors of such texts. It considers the way these 'wordsmiths' used classical literature techniques to strengthen their theological writings.

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    Long description:

    Ancient authors commonly compared writing with painting. The sculpting of the soul was also a common philosophical theme. Art, Craft, and Theology in Fourth-Century Christian Authors takes its starting-point from such figures to recover a sense of ancient authorship as craft. The ancient concept of craft (ars, techne) spans 'high' or 'fine' art and practical or applied arts. It unites the beautiful and the useful. It includes both skills or practices (like medicine and music) and productive arts like painting, sculpting and the composition of texts. By using craft as a guiding concept for understanding fourth Christian authorship, this book recovers a sense of them engaged in a shared practice which is both beautiful and theologically useful, which shapes souls but which is also engaged in the production of texts. It focuses on Greek writers, especially the Cappadocians (Basil of Caesarea, Gregory of Nazianzus, and Gregory of Nysa) and John Chrysostom, all of whom were trained in rhetoric. Through a detailed examination of their use of two particular literary techniques--ekphrasis and prosōpopoeia--it shows how they adapt and experiment with them, in order to make theological arguments and in order to evoke a response from their readership.

    In sum, this monograph convincingly demonstrates how the craft of rhetoric was used in a meaningful way in the theological discourse of fourth century Christian church leaders.

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    Table of Contents:

    Introduction
    Ekphrasis: Seeing Things
    Ekphrasis and Decision
    The Rhetoric of Landscape in Gregory of Nyssa's Homilies on the Song of Songs
    Ascetic Landscapes and Aesthetic Landscapes
    Role-playing: Prosopopoeia and Embodied Performance
    'This is the Word of the Lord'
    Women's Voices?
    Talking Bodies
    The Workshop
    Conclusions: Art, Craft and Theology

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