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  • An Introduction to Film Analysis: Technique and Meaning in Narrative Film

    An Introduction to Film Analysis by Ryan, Michael; Lenos, Melissa;

    Technique and Meaning in Narrative Film

      • GET 20% OFF

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      • Publisher's listprice GBP 33.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        16 238 Ft (15 465 Ft + 5% VAT)
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    16 238 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 2
    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 16 April 2020
    • Number of Volumes Paperback

    • ISBN 9781501318542
    • Binding Paperback
    • No. of pages288 pages
    • Size 232x154x20 mm
    • Weight 498 g
    • Language English
    • Illustrations 296 color illus
    • 45

    Categories

    Long description:

    An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:

    -the basic technical terms
    -shot-by-shot analyses of film sequences
    -set design, composition, editing, camera work, post-production, art direction and more
    -each chapter provides clear examples and full colour images from classic as well as contemporary films

    Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.

    The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.

    New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.

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    Table of Contents:

    Introduction
    Meaning in Movies
    Shot-by-Shot Analysis
    Writing About Film: The Art of Active Viewing
    Part 1: Technique and Meaning
    1. Composition
    2. Camera Work
    3. Editing
    4. Set Design
    5. Lighting
    6. Sound
    7. Color
    8. Narration
    9. Structure, Character, Motif
    10. Film Style: Realism and Expressionism
    Part 2: Critical Analysis
    11. Historical Criticism
    12. Structuralist Criticism
    13. Psychological Criticism
    14. Ideological Criticism
    15. Gender Criticism
    16. Ethnic Criticism
    17. Post-Colonial / Transnational Criticism
    18. Post-Structuralist Criticism
    19. Political Criticism
    20. Evolutionary Theory
    21. Affect & Emotion
    Part 3: Sample Analyses
    22. The Birds
    23. The Shining
    24. Vagabond
    25. In the Mood for Love
    26. Before the Devil Knows You're Dead
    Student Assignments
    Further Reading
    Bibliography
    Index

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